Alice Cooper (2) - Goes To Hell (CD, Album)

Alice Cooper. Alla fine di quella nottata, quel nome in qualche modo mi si era appiccicato addosso, aveva un non so che di speciale. Evocava l'immagine di una Alice Cooper (2) - Goes To Hell (CD con un lecca lecca in una mano e un coltello da macellaio nell'altra. Agli esordi Alice Cooper era una vera e propria band composta da 5 persone: Cooper alla voce che nei dischi era accreditato come "Vincent Furnier"Michael Bruce e Glen Buxton alla chitarra, Dennis Dunaway al basso e Neal Smith alla batteria.

Sulle scelte che portarono a un look fatto di trucco, vestiti di cuoio si veda quanto racconta Alice Cooper:. Un altro film che guardavamo in continuazione era Barbarella. Uno dei personaggi, the Great Tyrant, era interpretato da una formidabile attrice europea, Anita Pallenbergche indossava vestiti di cuoio e una benda da pirata, oltre ad avere lame che le uscivano dal corpo. Furnier fece una buona impressione a lui e al suo manager Shep Gordone nel pubblicano il primo album, Pretties for Youper la loro etichetta, la Straight Records.

Nell'album si avvertono molto le influenze folk e Alice Cooper (2) - Goes To Hell (CD. Insieme a lui, realizzano Love It to Deathche grazie anche al singolo I'm Eighteen diventa disco d'oro. Nel il gruppo si afferma definitivamente con School's Outtrainato dalla canzone omonima, a suo tempo ed anche tuttora un inno liberatorio degli studenti americani nell'ultimo giorno di lezione.

Le classifiche rispondono splendidamente anche al successivo Billion Dollar Babiescontenente un'altra canzone-manifesto, No More Mr. La formazione rimase invariata fino alanno di pubblicazione di Muscle of Love che segna una scissione nell'organico per cause mai accertate. Il leader del gruppo modifica legalmente il proprio nome in "Alice Cooper", decidendo di intraprendere la carriera solista. Siamo nei primi anni ottanta e il nuovo decennio porta Alice Cooper (2) - Goes To Hell (CD stili e nuove mode Album) ed anche Alice cerca di evolvere la propria musica.

Dopo questa breve parentesi extra-musicale, Alice torna nell'ambiente musicale. Cooper Bruce Roberts. Cooper Taupin Foster Lukather. Back Issue! Retrieved 22 September Rolling Stone. Warner Bros. CS1 maint: others in cite AV media notes link. Hollywood Vampires Rise. Album) control MusicBrainz release group. Considero que disto mucho de ser un cristiano bien formado.

Archivado desde el original el 13 de julio de Consultado el 7 de enero de Sound of the Beast. ISBN Heavy Metal: The Music and its Culture. DaCapo, ISBNpg. Consultado el 20 de septiembre de Sydney Morning Herald. Consultado el Consultado el 23 de septiembre de See comment No. Archivado desde el original el Rock and Roll Hall of Fame and Museum.

Consultado el 17 de abril de Consultado el 15 de abril de Daily Mail. Archivado desde el original el 20 de abril de But he can't forget the Motor City.

Metro Times. Archivado desde el original el 15 de octubre de Retrieved on August 10, Retrieved on August 11, Music Canada. British Phonographic Industry. Select albums in the Format field. Select Silver in the Certification field. Hollywood Vampires Rise. Authority control MusicBrainz release group. Namespaces Article Talk.

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How Will I Ever Find My Way Home? - British Sea Power - Open Season (Vinyl, LP, Album)

Retrieved 26 March Archived from the original on 10 April Broadcasters' Audience Research Board. Archived from the original on 13 July The Stage. Retrieved 9 April Retrieved 8 July Wales on Sunday. Retrieved 13 July Retrieved 24 November Retrieved 12 April Forbes and Fifth University of Pittsburgh". Archived from the original on 31 May Retrieved 31 May Archived from the original on 31 March Retrieved 5 March Canadian Broadcasting Corporation.

Retrieved 9 June Archived from the original on 11 June Retrieved 4 February Archived from the original on 14 September Archived from the original on 19 August Retrieved 30 July Archived How Will I Ever Find My Way Home? - British Sea Power - Open Season (Vinyl the original on 18 September Retrieved 17 September Retrieved 13 April Retrieved 22 March London: The Daily Telegraph online. Archived from the original on 3 October Retrieved 15 June Archived from the original on 15 November Retrieved 14 November Retrieved 2 December Archived from the original on 4 December Toronto: CBC Television.

CBC Television. Archived from the original on 30 April Inside the Hub. Tolworth, Surrey: Telos Publishing. Archived from the original on 23 April Archived from the original on 8 February Retrieved 14 September BBC Doctor Who website.

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Archived from the original on 22 October BBC 2. Archived from the original on 15 February Archived from the original on 5 March Retrieved 18 December Event occurs at — Archived from the original on 23 December Retrieved 12 November Event occurs at Retrieved 27 August Brisingr Hardcover 1st ed.

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Archived from the original on 16 July Retrieved 15 March The Week that Was. Tom Tomorrow. Archived from the original on 10 May Retrieved 15 May The Doctor Who Exhibitions Archive. Archived from the original on 3 March Retrieved 15 January Retrieved 13 December Record Store Day.

Guinness World Records. Retrieved 17 May August Retrieved 26 February Archived from the original on 23 August Retrieved 22 August Pocket Gamer. Archived from the original on 22 September Retrieved 25 April Archived from the original on 25 April March Retrieved 1 April Retrieved 16 August Doctor Who website. Retrieved 18 March ITN Source.

Archived from the original on 21 February TV Guide. Archived from the original on 7 May Retrieved 21 June Archived from the original on 5 January Archived from the original on 17 May Retrieved 13 May Archived from the original on 23 November Retrieved 4 May Richard Curtis writes this touching episode of Dr Who about the mental health experiences of the great artist Vincent van Gogh.

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Doctor Who: The Sixties paperback ed. London: Virgin Books. Doctor Who: The Television Companion 1st ed. Richards, Justin Doctor Who—The Legend 1st ed.

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The tour helped create eager anticipation for Mitchell's second LP, Cloudswhich was released in April This album contained Mitchell's own versions of some of her songs already recorded and performed by other artists: " Chelsea Morning ", " Both Sides, Now ", and "Tin Angel". The covers of both LPs, including a self-portrait on Cloudswere designed and painted by Mitchell, a blending of her painting and music that she continued throughout her career. The following month, Reprise released her third album, Ladies of the Canyon.

Mitchell's sound was already beginning to expand beyond the confines of acoustic folk music and toward pop and rock, with more overdubs, percussion, and backing vocals, and for the first time, many songs composed on piano, which became a hallmark of Mitchell's style in her most popular era. The album also included the already-familiar song "The Circle Game" and the environmental anthem " Big Yellow Taxi ", with its now-famous line, "they paved paradise and put up a parking lot.

Ladies of the Canyon was an instant smash on FM radio and sold briskly, eventually becoming Mitchell's first gold album selling over a half million copies. She made a decision to stop touring for a year and just write and paint, yet she was still voted "Top Female Performer" for by Melody Makera leading UK pop music magazine. The songs she wrote during the months she took off for travel and life experience appeared on her next album, Bluereleased in June Comparing Joni Mitchell's talent to his own, David Crosby said, "By the time she did Blueshe was past me and rushing toward the horizon".

Blue was an almost instant critical and commercial success, peaking in the top 20 of the Billboard albums chart in September and also hitting the British Top 3. The lushly produced " Carey " was the single at the time, but musically, other parts of Blue departed further from the sounds of Ladies of the Canyon.

Her most confessional album, Mitchell later said of Blue"I have, on occasion, sacrificed myself and my own emotional makeup, We all suffer for our loneliness, but at the time of Blueour pop stars never admitted these things. Mitchell later remarked, "At that period of my life, I had no personal defenses. I felt like a cellophane wrapper on a pack of cigarettes. I felt like I had absolutely no secrets from the world and I couldn't pretend in my life to be strong.

Mitchell decided to return to the live stage after the great success of Blueand she presented new songs on tour which appeared on her next album, her fifth, For the Roses.

The album was released in October and immediately zoomed up the charts. Court and Sparkreleased in Januarysaw Mitchell begin the flirtation with jazz and jazz fusion that marked her experimental period ahead. Court and Spark went to No. The LP made Mitchell a widely popular act for perhaps the only time in her career, on the strength of popular tracks such as the rocker " Raised on Robbery ", which was released right before Christmasand " Help Me ", which was released in LP of the following year, and became Mitchell's only Top 10 single when it peaked at No.

Express as what she called her first real backing group. In Februaryher tour with the L. Express began, and they received rave notices as they traveled across the United States and Canada during the next two months. A series of shows at L. In November, Mitchell released that album, Miles of Aislesa two-record set including all but two songs from the L. Music Center, on March 4, were also included in the set.

The live album slowly moved up to No. Mitchell went into the studio in early to record acoustic demos of some songs that she had written since the Court and Spark tour.

A few months later she recorded versions of the tunes with her band. Her musical interests were now diverging from both the folk and the pop scene of the era, toward less structured, more jazz-inspired pieces, with a wider range of instruments.

On "The Jungle Line", she made an early effort at sampling a recording of African musicians, something that became more commonplace among Western rock acts in the s. In earlyMitchell traveled with friends who were driving cross country to Maine. Afterwards, she drove back to California alone and composed several songs during her journey which featured on her next album, 's Hejira.

She stated that "This album was written mostly while I was traveling in the car. That's why there were no piano songs The album climbed to No. Hejira "did not sell as briskly as Mitchell's earlier, more 'radio-friendly' albums, [but] its stature in her catalogue has grown over the years". In she said, "I suppose a lot of people could have written a lot of my other songs, but I feel the songs on Hejira could only have come from me.

In mid, Mitchell began work on new recordings that became her first double studio album. Close to completing her contract with Asylum Records, Mitchell felt that this album could be looser in feel than any album she had done in the past.

She invited Pastorius back, and he brought with him fellow members of jazz fusion pioneers Weather Reportincluding drummer Don Alias and saxophonist Wayne Shorter. Other songs continued the jazz-rock-folk collisions of Hejira. Mitchell also revived "Jericho", written years earlier a version is found on her live album but never recorded in a studio setting.

Don Juan's Reckless Daughter was released in December The album received mixed reviews but still sold relatively well, peaking at No. The cover of the album created its own controversy: Mitchell was featured in several photographs, including one where she was in blackface, wearing a curly afro wig, a white suit and vest, and dark sunglasses. The character, whom she called Art Nouveau, was based on a pimp who, she says, once complimented her while walking down an LA street — and was a symbol of her turn toward jazz and streetwise lyrics.

A few months after the release of Don Juan's Reckless DaughterMitchell was contacted by the esteemed jazz composer, bandleader and bassist Charles Minguswho had heard the orchestrated song "Paprika Plains", and wanted her to work with him.

She began a collaboration with Mingus, who died before the project was completed in She finished the tracks, and the resulting album, Minguswas released in Junethough it was poorly received in the press. Fans were confused over such a major change in Mitchell's overall sound, and though the album topped out at No. Mitchell's tour to promote Mingus began in August in Oklahoma City and concluded six weeks later with five shows at Los Angeles' Greek Theatre and one at the Santa Barbara County Bowlwhere she recorded and filmed the concert.

It was her first tour in several years, and with Pastorius, jazz guitarist Pat Methenyand Album) members of her band, Mitchell also performed songs from her other jazz-inspired albums. When the tour ended she began a year of work, turning the tapes from the Santa Barbara County Bowl show into a two-album set and a concert film, both to be called Shadows and Light. Her final release on Asylum Records and her second live double album, it was released in Septemberand made it up to No.

While the album was being readied for release, her friend David Geffen, founder of Asylum Recordsdecided to start a new label, Geffen Records. Still distributed by Warner Bros. The album peaked on the Billboard charts in its fifth week at No.

During this period she recorded with bassist and sound engineer Larry Kleinwhom she married in The marriage lasted 12 years. A performance from the tour was videotaped and later released on home video and later DVD as Refuge of the Roads. As ended, Mitchell was writing new songs when she received a suggestion from Geffen that perhaps an outside producer with experience in the modern technical arenas that they wanted to explore might be a worthy addition. British synthpop performer and producer Thomas Dolby was brought on board.

Of Dolby's role, Mitchell later commented: "I was reluctant when Thomas was suggested because he had been asked to produce the record [by Geffen], and would he consider coming in as just a programmer and a player? So on that level we did have some problems He may be able to do it faster. He may be able to do it better, but the fact is that it then wouldn't really be my music. The album that resulted, Dog Eat Dogreleased in Octoberturned out to be only a moderate seller, peaking at No.

One of the songs on the album, "Tax Free", created controversy by lambasting " televangelists " and what she saw as a drift to the religious right in American politics. Mitchell continued experimenting with synthesizers, drum machines and sequencers for the recordings of her next album, 's Chalk Mark in a Rain Storm. The album's first official single, "My Secret Place", was in fact a duet with Gabriel, and just missed the Billboard Hot chart. The song "Lakota" was one of many songs on the album to take on larger political themes, in this case the Wounded Knee incidentthe deadly battle between Native American activists and the FBI on Pine Ridge Indian Reservation in the previous decade.

Musically, several songs fit into the trend of world music popularized by Gabriel during the era. Reviews were mostly favorable towards the album, and the cameos by well-known musicians brought it considerable attention. Throughout the first half ofMitchell recorded songs that appeared on her next album. She delivered the final mixes for the new album to Geffen just before Christmas, after trying nearly a hundred different sequences for the songs.

The album Night Ride Home was released in March In the United Kingdom, the album premiered at No. Critically, it was better received than her s work [ citation needed ] and seemed to signal a move closer to her acoustic beginnings, along with some references to the style of Hejira.

To wider audiences, the real return to form for Mitchell came with 's Grammy -winning Turbulent Indigo. While the recording period also saw the divorce of Mitchell and bassist Larry Kleintheir marriage having lasted almost 12 years, Indigo was seen as Mitchell's most accessible set of songs in years.

Songs such as "Sex Kills", "Sunny Sunday", "Borderline" and "The Magdalene Laundries" mixed social commentary and guitar-focused melodies for "a startling comeback". InMitchell had just agreed to release a greatest Hits collection when label Reprise also allowed her a second album, called Missesto include some of the lesser-known songs from her career. Hits charted at No. Mitchell also included on Hitsfor the first time on an album, her first recording, a version of "Urge for Going" which preceded Song to a Seagull but was previously released only as a B-side.

Two years later, Mitchell released her final set of "original" new work before nearly a decade of other pursuits, 's Taming the Tiger.

She promoted Tiger with a return to regular concert appearances, including a co-headlining tour with Bob Dylan and Van Morrison. On the album, Mitchell had played a custom guitar equipped with a Roland hexaphonic pickup that connected to a Roland VG-8 modeling processor.

The device allowed Mitchell to play any of her many alternate tunings without having to re-tune the guitar.

The guitar's output, through the VG-8, was transposed to any of her tunings in real-time. It was around this time that critics also began to notice a real change in Mitchell's voice, particularly on her older songs; the singer later confirmed the change, explaining that "I'd go to hit a note and there was nothing there". In addition, she contended that in her opinion her voice became a more interesting and expressive alto range when she could no longer hit the high notes, let alone hold them as she had in her youth.

The singer's next two albums featured no new songs and, Mitchell has said, were recorded to "fulfill contractual obligations", [59] but on both she attempted to make use of her new vocal range LP interpreting familiar material. Both Sides Now was an album composed mostly of covers of jazz standards, performed with an orchestra, featuring orchestral arrangements by Vince Mendoza. The album also contained remakes of "A Case of You" and the title track "Both Sides, Now", two early hits transposed down to Mitchell's now dusky, soulful alto range.

It received mostly strong reviews and spawned a short national tour, with Mitchell accompanied by a core band featuring Larry Klein on bass plus a local orchestra on each tour stop. Its success led to 's Traveloguea collection of re-workings of her previous songs with lush orchestral accompaniments. Mitchell stated at the time that Travelogue would be her final album. In a interview with Rolling Stoneshe voiced discontent with the current state of the music industry, describing it as a "cesspool".

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Password Reset your password Click the eye to show your password. This is a jazz music website—spammers will be deleted. Membership has its privileges. Learn more. First name and Last name. The old-time canoe, they row them with stick. Me used to love the sea Sunday morning time. Where it come from. They only sing it. And gone home. And the Congoes record it and say it is them write it. I have a lot of songs that I write which I never get credit for because I never know much about performing rights.

But the rights of them, the original work, is mine. But we do some great works at Upsetter studio. Nuff songs. Nuff song that people create them not even know where it come from. Scratch always had enough words. He called me Jah Lion. But he called me Jah Lion different from Jah Lloyd…. This interview was first published in The Beat in DanceCrasher would like to thank Mike Turner for giving us the opportunity to reproduce it.

Respect to Jah Lion. Francis began his singing career with the Mediators in the mids. At the end of the decade, he recorded for Rupie Edwards and Lee Perry. For a while, Francis became their record salesman, frequenting the studios and How Will I Ever Find My Way Home? - British Sea Power - Open Season (Vinyl closer to King Tubby, with whom he studied the technical aspect of music.

In the early 70s, Pat Francis started producing and founded his Teem label. On the refined rythm of Ain't no sunshine, Jah Lloyd performs an ample and energetic toast while the second side features a masterful version of the legendary trombonist Vin Gordon with the superb Rebel Rock.

Great music. Muddy Ibe is legendary with his unique way of rendering his highlife. He lives on. The dada is full of music, inspiration, composition and admonition. His genres include highlife, country, folks and world music.

He had a unique voice that set him different from other highlife artists. He always talked about enemy pursuing him in his song. Igbo highlife artists who had disagreements would use music to sub each other back in the days. Captain Muddy Ibe was a great man. The musical instruments he employed always make his songs unique and every head nods to the rhythmic patterns of them. Captain Muddy Ibe is dead but his son Otigba Ibe has taken the wheel of microphone after him.

Honolulu, Hawaii. This soothing audio head massage is much needed in these stressful times. Probably not. This one is. We had to reference three different sources to get the best sound: reels, vinyl and cassette.

Operating from his lifelong base of Honolulu, Hawaii, Lyman and the musicians he worked with released a large quantity of albums over a near year period that brought his particular mixture of Polynesian sounds and Afro-Cuban rhythms to a wide audience, all across the planet.

Thanks to the efforts of Roger Bong's Aloha Got Soul label, we can now enjoy all that it offers once again, though vinyl and digital reissues.

Given the contributions Lyman made to fantasy fueled sounds of exotica over the course of his lifetime, the album is drenched with subtle melodies that recall a litany of television shows, films and library music albums. If you need some time out, you'll find it here. Ersatz soundtracks for armchair safaris and shangri-las. At the end of this month, Aloha Got Soul, will reissue the late, lamented, vibraphone and marimba maestro Lyman's last solo commercial recording, the LP Island Vibes.

A seamlessly segued suite of nine pieces, it consists almost exclusively of stripped back serenades for sampled, soothing, gently crashing, surf and Lyman's trademark instruments. There are no strings, no percussion, no orchestration, just harmonic hymns and lullabies hammered out by his virtuoso four felt mallets on metal and wooden tongues. The odd steel sheet is shaken to mimic the thunder of electrical storms, or the roar of the torrent of a secluded waterfall.

The even odder horn sounds, like that of an approaching pleasure cruiser, homing into view, heading for harbour, toward honeymoon hideaways, fantasy islands, and blue lagoons. When Martin Denny held a residency as hotel band leader in Honolulu — where he employed Lyman on vibes — the calls and cries of the local wildlife were incorporated, integral to their evening performances.

A welcomed sonic transport to paradise, much needed in a post- pandemic world. At eight years old, Arthur Lyman's music was already being played in public spaces via a toy marimba performance on the radio. While Lyman laughed about the experience, he would continue performing and ultimately debuted professionally at 14 with a jazz group.

His skills earned him a place as a vibraphonist alongside exotica pioneer Martin Denny, although Lyman would leave the Denny's group soon after to pursue a solo career. Retrieved 29 February Retrieved 29 April Retrieved 14 April BBC Online. Retrieved 24 September Retrieved 30 December Drowned in Sound. Archived from the original on 6 January Archived from the original on 8 October Official Charts.

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FA20D block. The camshaft timing gear assembly contained advance and retard oil passages, as well as a detent oil passage to make intermediate locking possible. Furthermore, a thin cam timing oil control valve assembly was installed on the front surface side of the timing chain cover to make the variable valve timing mechanism more compact.

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The band's live performances have also come under fire—the Dead to the World Tourin particular, was followed by protesters at nearly every North American venue it visited. On June 30,the mutilated body of fourteen-year old schoolgirl Jodi Jones was discovered in woodland near her home in EasthousesScotland.

The band's scheduled appearance at the Park Live Festival in Moscow on June 27, was canceled moments before they were due to arrive on stage, [] after authorities received numerous bomb threats, while hundreds of activists affiliated with the Russian Orthodox Church protested outside the venue. In OctoberTwiggy Ramirez was accused of sexual assault by ex-girlfriend Jessicka Addams during their relationship in the mids.

I do not condone non-consensual sex of any kind. I will be taking some time to spend with my family and focus on maintaining my several years of sobriety. If I have caused anyone pain, I apologize and truly regret it.

I couldn't care less about those kids' reasoning. What reason do we have to go to war? It's all the same. Killing somebody can't be justified by having a reason. I think it says a lot about the media that those two kids were on the cover of Time magazine twice, because I'm sure that's everything they wanted. They wanted fame. America sold them the idea that an obituary is just another headline. On April 20,Columbine High School students Eric Harris and Dylan Klebold killed twelve students and a teacher, and wounded twenty-one others before committing suicide.

Five days after the incident, longtime music industry critics Republican former Secretary of Education William Bennett and Democratic U. Senator Joseph Lieberman cited the band as a contributing factor to the massacre during an appearance on Meet the Press. The controversy connecting the band and school shootings continued on October 10,when year-old SuccessTech Academy student Asa Coon shot four people before committing suicide.

From Wikipedia, the free encyclopedia. American rock band. Marilyn Manson performing in Industrial metal industrial rock alternative metal hard rock shock rock. Hell, etc.

Marilyn Monroe and Charles Manson are the band's namesakes. This is Close To Me - The Cure - In Concert - 371 (Vinyl the sickest group ever promoted by a mainstream record company.

Album version, as it appeared on The High End of Low. A heavily-censored version of the track performed poorly on US radio. David Bowie left and Kiss have heavily influenced Marilyn Manson. William Bennett left and Joe Liebermanco-directors of conservative violent entertainment watchdog group Empower America now known as FreedomWorkscriticized the band on multiple occasions. Main article: Columbine High School massacre.

Further information: List of Marilyn Manson band members. Main article: Marilyn Manson discography. For a more comprehensive list, see List of awards and nominations received by Marilyn Manson. Archived from the original on February 22, Retrieved June 29, Archived from the original on June 14, Retrieved October 25, Consequence of Sound. Archived from the original on June 30, Retrieved March 24, Archived from the original on April 2, Blankman, Inc.

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Martin's Griffin, New York. ISBN May 11, Metal Underground. Archived from the original on June 5, Miami New Times. Archived from the original on May 4, All Media Network. Archived from the original on April 26, Townsquare Media. Archived from the original on May 1, Village Voice Media. Archived from the original on January 12, Archived from the original on August 4, Archived from the original on January 28, Retrieved March 28, Archived from the original on May 3, Archived from the original on March 24, Archived from the original on January 11, Archived from the original on August 13, Archived from the original on March 22, Archived from the original on April 4, The Fader.

Archived from the original on August 12, The New York Times. Archived from the original on March 6, Retrieved March 31, Archived from the original Close To Me - The Cure - In Concert - 371 (Vinyl April 29, Archived from the original on June 10, Metal Edge. Zenbu Media. February 24, Archived from the original on June 26, Rolling Stone.

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Rockzone Publications. Retrieved August 3, James, Adam. September 28, Archived from the original on July 1, Retrieved May 26, Los Angeles Times. Archived from the original on May 18, Chicago Tribune. September 10, Alternative Press. Alternative Press Magazine, Inc.

Archived from the original on February 21, Retrieved November 16, Archived from the original on April 17, Retrieved April 16, Archived from the original on July 27, Retrieved April 27, Archived from the original on March 17, Archived from the original on December 20, Archived from the original on July 28, Archived from the original on May 15, Archived from the original on March 28, BBC News.

April 29, Future US, Inc. Archived from the original on April 7, Bauer Media Group. Hot Press. Archived from the original on August 7, Seems Like Salvation News. Archived from the original on August 16, Time Inc. ISSN CBS Interactive. Archived from the original on March 16, It might seem impossible to you that all custom-written essays, research papers, speeches, book reviews, and other custom task completed by our writers are both of high quality and cheap. It is surprising, but we do have some tricks to lower prices without hindering quality.

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The lobes could be engaged in response to a signal from the ECM to an oil switching valve OSV in each cylinder head which supplied oil pressure to a switchable tappet. The variable valve lift system only changed the lift of one of LP) intake valves for each cylinder since the other intake valve always provided high lift. The operation of the variable valve lift system may be summarised as follows: At engine speeds below rpm, valve lift for one of the intake valves was reduced to increase intake air speed and to create a swirl effect within the combustion chamber since the lift of the two intake valves differed.

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Liquits) - Los Músicos de José - Dilo! Homenaje a Pérez Prado (Vinyl may have caused And I've been LP, Dry your eyes dry your eyes And I know you LP And I know you had dreams And I'm sorry it took all this time to see That I am where I am because of your truth And I miss you, yeah I miss you Mama I hope this makes you smile I hope you're happy with my life At peace with every choice I made How I've changed along the way along the way And I know you believed in all of my dreams And I owe it all to you, Mama.

Imprimir Letra - Compartir. Politica privacidad - Aviso legal - Uso de cookies - Face - Tw. Playlists relacionadas. Aplicaciones y plugins. Desktop Google Chrome Windows 8. Plugin W. Media Player Winamp. Editar playlist. Cancelar Borrar. Cancelar Salir sin guardar. Artista: Il Divo. Mamathank you for who I am Thank you for all the things I'm not Forgive me for the words unsaid For the times I forgot Mama remember all my life You showed me love, you sacrificed Think of those young and early days How I've changed along the way along the way And I know you believed And I know you had dreams And I'm sorry it took all this time to see That I am where I am because of your truth And I miss you, yeah I miss you Mama forgive the times you cried Forgive me for not making right All of the storms I may have caused And I've been wrong, Dry your eyes dry your eyes And I know you believed And I know you had dreams And I'm sorry it took all this time to see That I am where I am because of your truth And I miss you, yeah I miss you Mama I hope this makes you smile I hope you're happy with my life At peace with every choice I made How I've changed along the Album) along the way And I know you believed in all of my dreams And I owe it all to you, Mama.

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New Music See All. Expensive Pain Meek Mill. La Farruko. Rich Off Pints 2 Icewear Vezzo. Apple Music Album). Apple Music 1. Apple Music Album). Apple Music Country. Apple Music Radio Shows. The Echo Chamber. The Estelle Show. For an outline of the Librivox audiobook production process, please see The Album) recording process. We require new readers to submit a sample recording so that we can Fast Dancer - Andreas Koch - Jingle Box 2 (CD sure that your set up works and that you understand how to export files Fast Dancer - Andreas Koch - Jingle Box 2 (CD our technical standards.

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Diagnosis of childhood tuberculosis and host RNA expression in Africa. New England Journal of Medicine Martineau, A. Reciprocal seasonal variation in vitamin D status and tuberculosis notifications in Cape Town, South Africa. Berry, M.

Nature Che fossero fatti di papiro, pergamena o carta, i rotoli furono la forma libraria dominante della cultura ellenisticaromanacinese ed ebraica. Gli autori cristiani potrebbero anche aver voluto distinguere i loro scritti dai testi pagani scritti su rotoli. La storia del libro continua a svilupparsi con la graduale transizione dal rotolo al codexspostandosi dal Vicino Oriente del II - II millennio a.

Fino al II secolo d. All'arrivo del Medioevocirca mezzo millennio dopo, i codici - di foggia e costruzione in tutto simili al libro moderno - rimpiazzarono il rotolo e furono composti principalmente di pergamena. Quattro son troppi? Anche nei suoi distici, Marziale continua a citare il codex: un anno prima del suddetto, una raccolta di distici viene pubblicata con lo scopo di accompagnare donativi.

Questa mole composta da numerosi fogli contiene quindici libri poetici del Nasone». Dal II secolo a. Nel mondo antico non godette di molta fortuna a causa del prezzo elevato rispetto a quello del papiro. Il libro in forma di rotolo consisteva in fogli preparati da fibre di papiro phylire disposte in uno strato orizzontale lo strato che poi riceveva la scrittura sovrapposto ad uno strato verticale la faccia opposta.

La scrittura era effettuata su colonne, generalmente sul lato del papiro che presentava le fibre orizzontali. Non si hanno molte testimonianze sui rotoli di pergamena tuttavia la loro forma era simile a quella dei libri in papiro.

Gli inchiostri neri utilizzati erano a base di nerofumo e gomma arabica. Dal II secolo d. La vecchia forma libraria a rotolo scompare in ambito librario. In forma notevolmente differente permane invece in ambito archivistico. Questo mezzo, permettendo l'accelerazione della produzione delle copie di testi contribuisce alla diffusione del libro e della cultura.

Altri suoi distici rivelano che tra i regali fatti da Marziale c'erano copie di Virgiliodi Cicerone e Livio. Le parole di Marziale danno la distinta impressione che tali edizioni fossero qualcosa di recentemente introdotto. Sono stati rinvenuti "taccuini" contenenti fino a dieci tavolette. Nel tempo, furono anche disponibili modelli di lusso fatti con tavolette di avorio invece che di legno. Ai romani va il merito di aver compiuto questo passo essenziale, e devono averlo fatto alcuni decenni prima della fine del I secolo d.

Il grande vantaggio che offrivano rispetto ai rolli era la capienza, vantaggio che sorgeva dal fatto che la facciata esterna del rotolo era lasciata in bianco, vuota. Il codice invece aveva scritte entrambe le facciate di ogni pagina, come in un libro moderno. La prima pagina porta il volto del poeta. I codici di cui parlava erano fatti di pergamena ; nei distici che accompagnavano il regalo di una copia di Omeroper esempio, Marziale la descrive come fatta di "cuoio con molte pieghe".

Ma copie erano anche fatte di fogli di papiro. Quando i greci ed i romani disponevano solo del rotolo per scrivere libri, si preferiva usare il papiro piuttosto che la pergamena.

I ritrovamenti egiziani ci permettono di tracciare il graduale rimpiazzo del rotolo da parte del codice. Fece la sua comparsa in Egitto non molto dopo il tempo di Marziale, nel II secolo d.

Il suo debutto fu modesto. A tutt'oggi sono stati rinvenuti 1. Verso il d. I ritrovamenti egiziani gettano luce anche sulla transizione del codex dal papiro alla pergamena. Sebbene gli undici codici della Bibbia datati in quel secolo fossero papiracei, esistono circa 18 codici dello stesso secolo con scritti pagani e Fast Dancer - Andreas Koch - Jingle Box 2 (CD di questi sono in pergamena. Non ne scegliemmo alcuno, ma ne raccogliemmo altri otto per i quali gli diedi dracme in conto.

Il codex tanto apprezzato da Marziale aveva quindi fatto molta strada da Roma. Nel terzo secolo, quando tali codici divennero alquanto diffusi, quelli di pergamena iniziarono ad essere popolari.

In breve, anche in Egittola fonte mondiale del papiroil codice di pergamena occupava una notevole quota di mercato. Sono tutti di pergamena, edizioni eleganti, scritti in elaborata calligrafia su sottili fogli di pergamena. Per tali edizioni di lusso il papiro era certamente inadatto. In almeno un'area, la giurisprudenza romanail codex di pergamena veniva prodotto sia in edizioni economiche che in quelle di lusso.

La caduta dell'Impero romano nel V secolo d. Il papiro divenne difficile da reperire a causa della mancanza di contatti con l' Antico Egitto e la pergamenache per secoli era stata tenuta in secondo piano, divenne il materiale di scrittura principale. I monasteri continuarono la tradizione scritturale latina dell' Impero romano d'Occidente.

La tradizione e lo stile dell' Impero romano predominavano ancora, ma gradualmente emerse la cultura del libro medievale.

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Dating Profile. Is online dating easier for single female expats in Germany than for their male counterparts? Dating Tips. Two of the tracks are alternative mixes of the Fallout 3 versions present on the original Sound Ideas album composed by Jason Nyberg, [nb 93] but emphasize different instruments. Several of the alternative mixes were re-released as a digital album using the Westar titles and reattributed to the Dinner Music Ensemble for the album Date Night. Others play during gameplay such as on the game's jukeboxes, gramophones, and specific quests including "Jazz Potatoes" from the Wasted on Nukashine quest and "One More Pils " for a quest based on Fastnacht.

In a interview, Spank group member Scout Ford noted that getting the opportunity to record the songs was a happy coincidence from performing at a child's birthday party to the parents putting them in contact with the Fallout 76 producers. Specifically, they wanted a certain musical tone and "We did it according to what the client wanted, but we were able to layer the harmonies with our own sound". Initially used in the promotional trailers for the game, both songs were added to the in-game radio and officially released on the Apple Music digital store.

The soundtrack of the Fallout series has also attracted commentary and analysis in the popular press and in academic lumusicological study particularly of the licensed music presented as diegetic music within the game world.

Likewise for 's Fallout 2Lopez noted that the game expanded the pre-existing soundtrack from the predecessor by adding a dozen more tracks with Morgan adding electric guitar in "My Chrysalis Highwayman" and electronic sounds in "All-Clear Signal". Author William Cheng noted Inon Zur's score for 's Fallout 3 as an "unintrusive, sparsely textured soundtrack" garnering "much acclaim". In both, the reader is invited to explore the future while documenting vignettes of the past.

In the chapter "A Tune at the End of the World" in his book, Cheng recognized that despite the critically acclaimed score by Inon Zur for 's Fallout 3much of the attention of player and critics was directed towards the music from the three diegetic radio stations of the game: Enclave Radio, Galaxy News Radio, and Agatha's Station.

The player is notified by their "Pip-Boy" device seconds later of the availability of a new radio broadcast signal offering "noisy relief from the silence and solitude of the Capital Wasteland. Music and voices from the radio bestow a sense of imagined community by promising that somewhere, someone else is listening to the same thing. Author William Gibbons in his book wrote that Agatha's live music "embodies art's tenacity even in the most adverse of circumstances" giving proof that civilization, humanity, and hope survives in the wasteland compared to the "'dead' records we hear on other radio stations".

New Vegas, a LP of the suave news delivery of Three Dog and the artificial intelligence of President Eden from the previous game. While available at the beginning of the game as opposed to the quest required to access Agatha's StationGibbons notes that further gameplay reveals is "a tool of The Institute, an 'enlightened' and scientifically advanced organization" who views most other people living in the wasteland as "savages".

Here it, it both converges and diverges from the intent in Fallout 3 ; they are both "a 'civilizing' force", but Agatha's music is a "benevolent influence" while The Institute is a "patriarchal and arguably nefarious" influence.

The songs serve double duty in terms of intra-diegetic gameplay where the descriptive lyrics both "allude to places and events in the gameworld" and also "feature sultry, firtatious tones" as an indicator that the character can engage in a romantic relationship with the player. Cheng explored two examples of the diegetic music affecting the gameplay experience in 's Fallout 3 both within the game and to the player at the game's controls, or diegesis.

The first centers on a quest regarding the option of blowing up the city of Megaton with a nuclear bomb. The author noted his first repeated playthroughs of the game in and involved disarming the bomb instead, being given a modest reward by the residents of the city, and igniting the wrath of the city's antagonist.

Burke and Alistair Tenpenny. At this time, Cheng notes he was using a video game recording software to capture the gameplay as he planned to show the footage at future presentations regarding his paper. Tenpenny's embodiment of the Enclave's radical authority and extremist ideologies.

Tenpenny's triumph. Whether theatrical or not, Cheng also notes it was the obedient thing to do where he had hesitated to press the button, but was compelled by the march as well as the gameplay. He wondered if he had been more or less likely to continue with the act if the radio was playing classical music or if it was turned off.

After asking for volunteers from the assembled professors and graduate students to push the "Big Red Button", half the people in the room hesitantly raised their hands.

The volunteer picked at random to set off the fictional bomb said she felt "strangely guilty" in front of her peers and professors "even though the people [the Megaton residents] weren't real! Cheng's second example featured a lighter gameplay instance. Though access to Enclave Radio and Galaxy New Radio was readily available at the beginning of the game, Cheng notes he had to complete a specific quest of retrieving and giving a violin to gain access to the private radio signal about Agatha's Station "about eight hours into the game.

In contrast to the music at Megaton, Cheng remarked that the music here had served as a method of disobedience to ignore the gameplay where he had "subtly transgressed against the game itself, dismissing its call to arms one track at a time. Regarding the musical content of the radio stations in Fallout 3Cheng loosely summarizes them as "the s GNRs the Enclave's Sousaor s Agatha's Bach.

Cheng notes that this private signal can only be detected on the player's Pip-Boy and not on any other available radio set. This so-called pirate underground radio station of music praised in the present-day "for its alleged universal appeal—provides a fittingly ironic reflection of the wasteland's cultural upheavals. Cheng notes there are "conspicuous double entendres when heard in the game's postapocalyptic setting" and details lines and lyrics from "I Don't Want to Set the World on Fire", "Civilization", and "Butcher Pete" in 's Fallout 3.

Songs like "Atom Bomb Baby", "Uranium Fever", and "Uranium Rock" were regarded as whimsical "novelty songs" at the time, but also are loaded with the period's "pervasive anxieties". All four "present warnings and moral judgement" singing about people who "find their comeuppance" in the country, film noir, and femme fatale genres.

With modern musicians tackling age-old themes in a contemporary fashion, the "illusion was seamless" among the older songs on the Fallout: New Vegas soundtrack. Cheng also notes that similar games have featured diegetic licensed music before such as the BioShock series and the Grand Theft Auto seriesin Fallout 3 the player wields exceptional control "over the very existence of radio music in the wasteland. Setting aside the player agency regarding personal control over the airwaves' content, Cheng offers diegetic and non-diegetic explanations for the seemingly limited setlists of the radio stations in Fallout 3.

Players may ask why "there's no trace of music composed at the very least between and " and whether it flourished or failed to be preserved. Ostensibly, the primary reason for the song selection from decades ago is "reduced licensing costs" though using songs by "more recent artists say, Golijov or Gaga [a modern classical music composer and a modern pop singer] would have had greater difficulty establishing the vague sense of pastness" while this "hodgepodge of pres tunes could sound sufficiently old" by modern players of the game.

A former Elvis impersonation school serves as the headquarters of a gang called "The Kings". The limited or non-existent nature of the music of Elvis has helped to create an alternate "ahistorical world" where "all that remains is a shadow" of the original context. Though the terms may appear interchangeable, they provide different connotations. Namely "appropriated music" more readily conveys usage with "whole or with little modification", it remains " recognisable ", and " recontextualised ".

Borrowed music can be easily returned, but appropriated music "begs for a reason, a motivation, an explanation" despite the negative connotations as well as connecting to the historical use of "deliberate artistic appropriation" and "the entire spectrum of its sociocultural significance in mind.

Cheng notes that "most players are not likely to know the exact date or even decade of particular pieces" or perhaps have a hazy, "obscure, daresay conflated, past—remembrance without precise referent. Three Dog of Galaxy News Radio gives speeches against "bigots" and "ghouls", humans who have been drastically mutated through radiation. Enclave Radio serves as propaganda to accomplish their goal to remove irradiated "impure" humans from the wasteland.

Galaxy News Radio may be remembered from "old-timey films, television parodies, theme parties, and grandparents' dusty records" and "cheery, sassy nonchalance", but also for the "brutal wartime climates out of which this repertoire emerged. However, Cheng also brings up how the music Someone Is Watching - Solomon Burke - King Solomon (Vinyl brought back a revived interest to a new generation.

Players "upon completing their adventure Insinger Dion DiMucci filed a lawsuit against video game publisher ZeniMax Media for the use of " The Wanderer " in the television commercials for Fallout 4.

The lawsuit alleged the commercials "were objectionable because they featured repeated homicides in a dark, dystopian landscape, Album) violence is glorified as sport" as well as being "repugnant and morally indefensible". He notes there are other unofficial, but popular videos with "2. It has a body count so high that I'm not even going to bother enumerating it" and hypothesizes "that someone, either DiMucci or a person acting on his behalf, went to Google up 'Wanderer' and 'Fallout' and found Valenzuela's video, thinking it was an official release from Zenimax".

ZeniMax Media Inc. From Wikipedia, the free encyclopedia. This section needs expansion. You can help by adding to it. March Later released on the album Nerve Damage.

See the album article page for more footnotes. Both halves of the song would be featured in 's Fallout 4. Likewise the track was also issued on the reverse side of the same 10 inch vinyl 78 rpm phonograph record on the Charles Brull Harmonic Private Recording label as "Jazz Interlude".

Due to how record pressing plants function, it is presumed both tracks were recorded around the same time in based on the Swedish films noted above. The same transcription disc also featured the then-newly composed song " The Old Master Painter " noted in the December 24, issue of Billboard magazine as "No information on electrical transcription libraries available as The Billboard goes to press" while Bob Crosby's version of "Dear Hearts and Gentle People" is not noted as available.

Contemporary reviews for the Bing Crosby album noted it as "an oldie". The record also appears in the Danish daily radio broadcasting schedule sendeplan of the Statsradiofonien digitized by the Dansk Kulturarv.

The digital restoration and compilation was done by John Mortarotti. All the tracks on the digital album feature alternate arrangements with the same melody as the base track except for "Treadin' Light" and "Boogie Man" which have retained the error of alternating swapped titles and melodies. Gerhard Trede died in Fallout: New Vegas uses the original recording from Columbia Records. The recording used in the game was originally taken LP the audio track of Snader Telescription which Peggy Lee had filmed with Dave Barbour in The title refers to the Roundhouse venue in London which first opened for concerts in See the album page for more details on the dates and litigation surrounding the album.

Though other Columbia Records tracks in the game are attributed as such "Big Iron", "Jingle Jangle Jingle"the end credits indicate that "Heartaches by the Number" was licensed instead from Dominion Entertainment Inc. The following year inK-Tel filed for bankruptcy. The track was subsequently reissued on other budget labels with K-Tel reissuing it on their house label as Hooked on Country in part of the Hooked on Classics series [] and later as Dominion Entertainment in Perry died in Recording the Sonoton album in is mentioned on the official band website.

See annotation for "In the Shadow of the Valley" above. The vocalists are not credited. However in"business has never been better" and RCA had "its three pressing plants going at full time, they've gone to outside pressing plants to keep up with the orders. Columbia Records documentation held at the Library of Congress indicates that the XTV matrix prefix stands for a "12" mono LP master" while the number of digits in the XTV number can be assigned to a pressing year.

Harry Bluestone died in Harry Lubin died in The CD booklet does not provide lyrics, but credits the male and female vocal versions as sung by Claire Martin and Danny Street as well as listing the musicians who performed on the album.

Originally written for the film of the same name, One More Tomorrowwhich debuted on June 1, Frankie Carle's recording was advertised in Billboard magazine on April 27, Advertised in Billboard magazine on February 14,[] formally reviewed on February Advertised in Billboard magazine on September 23, Advertised in Billboard magazine on December 23,[] formally reviewed the following January 13, Reviewed in Cashbox magazine on May 5, Described as having been recorded "last week" in a dated byline of November 5th in the Billboard magazine issue from November 12, Multiple groups named The Five Stars recorded under this era and are frequently confused for each other on song compilations.

Original Kernel Records issue formally reviewed in Billboard magazine on April 29, Originally recorded for Sun Recordsbut was unissued no Sun 45 from the era exists until it started appearing on Sun Records compilation albums decades later. CD reissues mention Warren Smith's "several alternate takes and unreleased material" from the Sun Studios. Fallout 76 uses Take 1 issued on Okeh Records. Take 2 was issued on Vocalion and Columbia Records.

Fallout 76 uses the Decca recording [] and not the Decca recording. The track was issued in as a 12" shellac 78 rpm record by RCA Victor and advertised as "'Fats' Waller's last record". The later Capitol Records version with Ella Mae Morse was advertised in Billboard magazine on July 27, [] and formally reviewed on August 3, Reviewed and advertised in Billboard magazine on March 13, Reviewed in Billboard magazine on February 14, Advertised in Billboard magazine on April 23,[] formally reviewed on May 7, Advertised in Billboard magazine on April 16, [] and formally reviewed on March 30, Reviewed in Someone Is Watching - Solomon Burke - King Solomon (Vinyl magazine on June 4, The liner notes indicate it was recorded in June in Hollywood, California.

It was part of the episode's theme "Songs of the Open Sea". The album was recorded in stereo in at Capitol Records by former members of Kay Kyser's orchestra, but without the appearance of Kay Kyser himself. This song was misidentified and the composition was not used in Fallout 3.

This is an error mistaking the song's composition date instead of its recording date. According to entries in Bob Crosby's discography and contemporary Billboard magazine advertisements, Bob Crosby recorded and released "'Way Back Home" in The author noted these songs were provided by APM Music and could not find research on these tracks at the time.

In footnote 37, Cheng notes his paper was first drafted in when Fallout: New Vegas was still recently released. A similar quote about finding records in "playable condition" cannot be found in the game's dialogue file for Three Dog.

Three Dog does not mention the word "record" or "playable" in his available dialogue.

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