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Download as PDF Printable version. Wikimedia Commons. United Kingdom Norway. List of albums released. List of years in music. This Year's Girl. Contradictions Collapse. The Singles Collection. Chickasaw Mudd Puppies. A Little Ain't Enough. Step In the Arena. Party Mix! Into the Light. International Pop Overthrow. Coolin' at the Playground Ya Know!
The Name Above the Title. John Wesley Harding. Young Black Teenagers. Different World. Love's Secret Domain. The White Room. New Jack City. Live Hardcore Worldwide. Boogie Down Productions. Capitol Collectors Series. Greatest Hits. Chill of an Early Fall. Make Way for the Motherlode. Checkin' Out the Ghosts. Black and White. The Human Factor.
Places I Have Never Been. Good-bye My Loneliness. King of the Jews. Word of Mouth. That's What I Call Music Real Life. The Ghosts That Haunt Billy - Various - International Pop Overthrow Vol. 3 (CD). The Orb's Adventures Beyond the Ultraworld. Temple of the Dog. The Way to Salvation. And Now the Legacy Begins. Flyin' the Flannel.
Ordinary Average Guy. The Reality of My Surroundings. Power of Love. True Love. Blessed Are the Sick. Orchestral Manoeuvres in the Dark. The Best of The Waterboys 81— Huey Lewis and the News. Pop Life. Don't Rock the Jukebox. Ned's Atomic Dustbin. The Legendary Pink Dots. Original Gangster. Sailing the Seas of Cheese. Unplugged The Official Bootleg. Nusrat Fateh Ali Kahn.
Jungle Fever. Like an Ever Flowing Stream. Richard Thompson. Love and Kisses. Back on the Bus, Y'all. Make a Jazz Noise Here.
White Light From the Mouth of Infinity. Siouxsie and the Banshees. Big Audio Dynamite II. Derelicts of Dialect. For Unlawful Carnal Knowledge. Attack of the Killer B's. Hollywood Vampires. Luck of the Draw. Twilight of the Gods. Dre and eventually Kendrick Lamar, Fishbone tackled poverty and urged for social justice. The list of sonic rebels goes on and on….
Inthe United States of America feels ripe for a musical uprising. Divided more than ever in its year history over systemic issues of immigration, race, class warfare, inequality, and misogyny, the time for change is now.
The band is The Fever Comprised of vocalist Jason Aalon Butler [ex-letlive. By no means do we expect other artists to take on this task. Most of the people who made big improvements were either assassinated or just called crazy.
We make it ostensibly clear that everything we do is in an active effort for change. Travis and John supported my desire to create something a little dangerous that was subservice: musically and in ethos. We opened the floodgates together.
Around this time, the frontman made a conscious decision to disband letlive. It was time for a new era. Feverishly writing, each session yielded more tunes. Last summer, The Fever made their live debut—quite appropriately—on July 4, They hijacked the parking lot of infamous L. On their upcoming EP, that purpose can be felt loud and clear. The people in power benefit from that.
Three is the magic number. The strongest shape in geometry is the triangle with its three points. Our generation has so much power. If we can rally together and cultivate this strength and solidarity, I believe we can be the change. Everyone leaves a legacy behind. No matter how big or small, our words and actions echo forever and make a lasting imprint. Of course, their musical legacy speaks for itself. Following a hiatus post-Congregation of the Damned inthe musicians returned firing on all cylinders with Long Live during As they commenced writing for their seventh full-length, In Our Wake [Spinefarm], the band posed an important question….
There are lyrics about dealing with your own personal demons and darkness. Some of it is about our children, which his who we live directly in our wake. Others are about the general public and the outpouring of hate and fear—especially in our country. We created something of a concept record without even trying. However, we are the masters of our own destiny. We want to leave something good behind. Following a two-year tour cycle for Long Live, Atreyu regrouped in Southern California and started sharing ideas for what would become offering number seven.
Ceremoniously, they all agreed it would be the right time to reunite with producer John Feldmann who famously helmed Lead Sails and Paper Anchor. It made us revisit that era of the band. It was a fun, experimental, and explorative time for us, which is so fun. We wanted to give ourselves and the landscape of heavy music a jolt, so we reached out to Feldmann. Spontaneity makes things flow so much better though.
We also never spread an album out like this either. We laid the foundation with five recordings, sat with them, and finished with a better picture of where we wanted to go. As a result, the record sees Atreyu once again evolve.
We have a choice to change the lives of others for the better. We have to really fucking go for it. It ends on such a huge note and offers a breath of fresh air. This band means everything to me. That attitude might seem misguided for a band who have yet to release their debut album. I can barely stand up, barely get notes out. After coming home from tour, Katz was so fed up with what he had to go through to get on stage every night, he was in two minds whether to carry on with music.
It was that song, which reached the top of the US charts, that saved Badflower. Despite its success, the group was initially sceptical about it being more than an album track. They worried listeners would think they were glorifying suicide, cynically using a very real and serious Billy - Various - International Pop Overthrow Vol. 3 (CD) for their own gain. Along with the constantly changing music — be it speeding up, stuttering almost to the brink of collapse, or weaving even more claustrophobic layers together — it adds up to something completely manic.
Its lyrics speak about veganism Katz has been vegan for four years in uncompromising terms. But his sentiment is not what you might immediately assume. The latter merges old and new, layering lyrics about Instagram filters and the internet over a big blues-rock jam.
I think we came up with something very special. We wanted to make something for this generation. Watch us. We do what we want.
Rock and roll used to be about that spirit and that got lost somewhere. The story of GWAR is carved across the history of this barren and hopeless planet, but GWAR themselves are not of this world… their story begins in the deepest reaches of outer space.
Long ago, the beings who would become the rock band GWAR were part of an elite fighting force, the Scumdogs of the Universe. For eons, they served as thralls to a supreme being known only as the Master. But one by one, each future member of the band earned a glaring reputation for being an intergalactic fuck-up.
Once here, GWAR shaped the face of the globe, destroying and rebuilding the natural world, and giving rise to all of human history. Aliens to some, gods and demons to others, our erstwhile Scumdogs fucked apes to create the human race, and this fateful unplanned pregnancy would prove to be truly disastrous! It was August of when he penned the song along with Marty Frederickson and Scott Stevens, and by that point, during one of the most tumultuous years in recent American history, the whole world appeared to be on fire.
It was a rough story about what was really going on here in this country—and particularly for me, as a Black man. It is also, though, underscored by a vision of hope and endurance: through it all, we persevere. His parents both battled drug addiction, and at a young age Jones was taken in by his aunt and uncle. Money was tight, and Jones struggled to understand both his place in the world and how to overcome his tumultuous youth.
Yet, these very elements became the fuel to drive his early career. To stand for something and prove not everyone has to be a stereotype or statistic. Jones was 13 when he first picked up the guitar that belonged to his friend—one that he began visiting more frequently just so he could spend more time with the instrument. Recognizing his raw talent, his aunt and a neighbor eventually gifted him guitars, and all the while he taught himself to play, picking and strumming until the strings felt like a second skin.
Writing and playing became a channel to express everything that I had been feeling, and then it just became my obsession. That self-sufficient tenacity continued to buoy Jones when, at the age of 19, he began releasing music independently. His talent and diligence earned him opportunities with iconic artists such as BB King, Guns N Roses, Janelle Monae, and many more; he forged a path to continuously widen his audience, and broke barriers as a Black artist in the Rock industry.
We knew that we were doing something to open the door for other artists like us, not just in Seattle but across the world. Fast forward to today, and Seattle has become a Black rock city — prominent Black artists are leading the scene.
His life is sprinkled throughout the full album, with lyrics tackling controversial subjects, and stories that listeners can relate to. He also played a heavy role in production on Child of the State, collaborating with producers to craft his sound and vision. Loaded with sing-alongs and an unsuspecting dose of humor to make otherwise grim topics accessible for fans of every genre, the songs remain deeply rooted in the tradition of story-telling that seems to be slipping away from the human condition.
Conjuring spirits through music and video as do-it-yourself artists from their remote place of worship, the burgeoning arts community of Vancouver Island, the husband and wife duo of Courtney LaPlante and Mike Stringer inspired Billy - Various - International Pop Overthrow Vol. 3 (CD) cult following from their first emergence in There is nothing pandering or remotely insincere about this band. As a child, she started singing early and eventually made her way to Los Angeles.
For more information, visit dorothytheband. Why should anything be off limits? When we started scaring ourselves, it was the best thing possible. We got more vulnerable overall. Since the release of their self-titled debut, Dead Sara have quietly carved a foothold at the forefront of the 21st century rock vanguard through a one-two punch of raucous riffing and sky-high vocals.
We were missing that one thing. We had to change in order to find it. Rather than hit the studio with loose ideas to quickly cobble together an album, they dedicated nearly a year to writing and perfecting the new music.
Musically, they further incorporated synthesizers and electronic percussive elements, confidently expanding the sonic palette.
We tried more synths and programming—which Sean really drove. I stopped everything. I decided the only way this was going to happen was if I dedicated my all to it. I was obsessed. I just wanted to get better. It opened the floodgates. With all of that experimentation, we went into the studio. Do I belong to anybody? Donald Trump had just gotten in. It was as if everything shifted.
There was nothing I could hold onto, grab, or be a part of. Life went dark. We captured something really raw in the moment. I was living this life where I felt like if I said something I was going to die, but by not saying anything, I was already dying. Again, I was scaring myself with this song. In the end, Dead Sara unleash a body of work befitting their ambition, drive, and decade-plus grind.
I think we can reach a whole new level with these songs. Meticulousness ensures singularity. Bad Omens carefully direct each nuance of their music, approaching the process with an auteur mindset.
Produced by Noah and Jolly, the ten-track trip unfurls like the sonic equivalent of a gripping existential drama. What separates us is the attention to detail in every song. Bad Omens diligently worked to hone this approach since their self-titled debut. In addition to expanding the sonic structure under the influence of the Hillsong UNITED and other gospel production, Noah endeavored to brighten up the thematic palette as well.
This is predominantly hopeful. We should be a safe place for people. With Jolly a world away in Sweden, they finished the record remotely, maximizing the time in between tours to cap off a panoramic vision. I wanted the lyrics to give you a sense of hope. By imparting a piece of themselves on every aspect of the composition and production, Bad Omens deliver a statement that stands out.
It makes us human, gives us soul, and separates us. We tried to make this album like a movie where it captivates you immediately, takes you on a journey, and gives you a positive payoff. When one door closes, another one opens. Weathering and persevering through potentially life-changing events, the gold-selling, chart-topping Los Angeles-based and Australian-bred hard rock outfit knew one thing. We love this band and our fans, and we have put so much into it, and we are not done and want to take it further.
With stints in several bands under his belt, Texas-born singer and guitarist Bryan Scott reached out to Emma via Facebook within days of the announcement. He sent her a video of himself performing, and she swiftly replied. It was a natural progression. I had always loved their music and as soon as I saw the post, I went home and immediately sent Emma a message. We clicked right off the bat. They live and breathe it every day. Following a first dinner together at a Los Angeles burger spot, they hit the rehearsal studio together and began jamming.
After nailing numerous favorites from the Sick Puppies catalog, they started writing new material over the next several months. The song is meant to empower. For lyrical inspiration, the musicians actually turned to the diehard collective Sick Puppies World Crew. We grabbed a few descriptive words and came across this theme. That kind of honesty has solidified a bond between the Sick Puppies and their fans since day one. We were going to forge ahead no matter what.
Fusing hard rock licks with deep southern blues and gospel swing, the three cousins namely Landon Milbourn [vocals], Brandon Qualkenbush [rhythm guitar, backing vocals] and Tyler Baker [lead guitar] are fuelled by their desire to craft timeless, catchy and anthemic rock songs. Brass Against is collective of artists, led and curated by Brad Hammonds, who share in the goal of creating brass protest music that calls fans to action.
Brass Against was formed in due to the political climate and feeling there was a real need for politically charged music. Brass Against has since toured Europe twice, including 12 sold out shows on their first outing in early Additional appearances include various festivals, including Boomtown, Pukkelpop, Download Madrid, and more, as well as an opening spot with Lenny Kravitz at the O2 Arena.
On April 10th the group debuted their original music with Sophia Urista on vocals. The process has been the most rewarding thus far. Brass Against is exceptional music with a political edge. Iconoclastic 3TEETH frontman Alexis Mincolla is dedicated to exploring the relationship between archetypes, mythologies, history, and the hypocrisy of the human experience.
And that stuck with me. Mincolla and his bandmates started working on the songs in their home studio. When they had a batch of material they were happy with, they called industrial music guru Sean Beavan Nine Inch Nails, Marilyn Manson to produce the album.
And this time, there were no external distractions. We self-produced our first two albums, and that was cool, but having a producer as experienced as Sean to help push us really brought out our best. And we had a fucking blast. The rest of the album is just as impacting. In addition, the band is inspired by Billy - Various - International Pop Overthrow Vol.
3 (CD) skewed sounds of bands such as Tool, Sepultura and Deftones. Understanding or interpreting the meaning beneath the surface has been important to Mincolla for years. One of his greatest epiphanies came when he was a year-old college student and he was hanging out under a statue of Giordano Bruno. Unbeknownst to Mincolla, Bruno was a 15th Century Italian philosopher, astronomer, mathematician, and occultist whose theories predated modern science.
When I found that out, I dove down this rabbit hole to learn about hermetic wisdom, symbology, the western occult, Rosicrucianism and Egyptian mythology. Unlike most bands, which form to write songs, play gigs and maybe make some money, 3TEETH were born out of a synthesis of visual art, inventive thought and unconventional music. At the time, Mincolla was a creative director of an L.
Soon, after, he met keyboardist Xavier Swafford, with whom he had much in common. Then we got more into it. Having a background as an art director, I started creating all this memetic force by creating imagery and leaking teasers about what we were doing. Inthe members of 3TEETH met up once or twice a week to work on what became their self-titled debut album. A year later, an indie label in Toronto offered them a deal. As part of the contract, Mincolla stipulated that the album be released in limited edition on vinyl, which the record company was initially against.
It caused all this hype and the pre-orders started flying. The next thing I knew, we started getting offers for shows. I booked shows in week to two-week long runs whenever we had the time.
During the downtime, the two rockers nerded out about video games, and when the wedding was over, they exchanged information so they could play games together over the internet. About a year after the wedding, Jones and Mincolla were hanging out when Jones mentioned the inevitable.
Suddenly, 3TEETH went from playing for crowds of about to performing for 20, ravenous Tool fans in sold-out arenas. Did we have to switch gear or use monitors?
I just knew nothing. Can we try it next year? You get thrown into the water and you sink or swim. As they began the process of writing their third album, 3TEETH strived to write heavier, more aggressive songs with strong hooks that would appeal to arena audiences as well as club dwellers. I knew I wanted the songs to have strong messages, but at the same time, I wanted to make an album that could appeal to 20, people who all wanted to rock out at the same time. I wanted there to be a certain amount of mindlessness in the music because I think mindlessness in mindfulness.
They actually make very good bedmates. Growing up in the city of Brotherly Love, Zero took to music at an early age. He entered his first studio Billy - Various - International Pop Overthrow Vol. 3 (CD) 10 years old and never looked back. The alternative artist has since amassed over 10 Million streams and collaborated with artists such as Tory Lanez, PnB Rock and grandson. Defying genre lines and norms, Zero toes the line of alt-rock and hip-hop.
Going through this process taught me that, as both an artist and human being, you have to take risks and be willing to fail in order to truly understand who you are.
In any cultural movement there are leaders and there are followers.
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