The world is hardly such a simple place that one could invent it anew if it were to disappear one day.
Indeed, it is full of unbridled caprice. Our planet is a place of wild encounter generating a randomness that is beautiful and terrible at the same time, bringing fortune to living beings but also jeopardizing their lives. No-one really understands why such great differences should exist within such a small area.
Why, for instance, do fifty thousand people in a few Alpine valleys not speak the language of their neighbourhood, but insist on having their own. And not just a single language but one that is written in six different variants and spoken in innumerable local dialects. They willfully persist in adopting a peculiar intonation, a distinct mode of expression, for each one.
As if their entire happiness depended on it. Such stubbornness can be dangerous. Whoever refuses to move beyond this native milieu cuts himself off from the flow of life.
It must ultimately wither. What's new New posts Latest activity. Log in Register. Search titles only. Search Advanced search…. New posts.
But in many cases, the way to that goal might be a little different than usual. You will have to tolerate and even use certain deviations from vocal balance if they help the singer stay true to the requirements of their genre.
Ironically, their approach eventually causes the very opposite; there is so much muscular engagement that they suddenly have to completely let go to a very thin vocal fold.
Then they lose any connection to the chest voice in order to be able to raise the pitch further. So what you Femnas - Corin Curschellas - Valdun - Voices Of Rumantsch (CD) have Femnas - Corin Curschellas - Valdun - Voices Of Rumantsch (CD) do as their teacher is thin out the vocal coordination before the break and thicken it above the break.
From this position, you could then gradually thicken the sound again. Now is this a good idea for rock singers? The answer is, it depends. From a technical point of view, it might be if the singer pulls so hard that nothing else makes them stop. With regard to sound, it might work for a female symphonic metal singer or a male singer who wants to sound like Coldplay. Therefore, a much better second strategy for most rock singers is to gradually thin out the pushed and chest-dominated sounds.
Femnas - Corin Curschellas - Valdun - Voices Of Rumantsch (CD) fact, you will have to do so in order to really balance out their voices. But while you do so, you have to make sure that singers also practice getting closer to vocal balance while still being able to hold on to what gives them their characteristic sound.
The so-called pharyngeal sounds are usually great tools to thin out the voice while the singer is still able to hold on to some of the stability of the thicker chest feeling. Producing pharyngeal sounds involves raising the larynx in a way that helps to thin out the vocal folds while at the same time creating a sound that is very compatible with the biggest part of rock music.
With Femnas - Corin Curschellas - Valdun - Voices Of Rumantsch (CD) effects, they usually also serve as great range-building tools for rock singers. Still, these unfinished sounds shouldn't be the final destination of a singer's vocal development. Once they have easy access to the required range, you should start to move toward a less pharyngeal and more normal sound.
Because even if a slightly raised larynx is quite common in rock music, a singer needs to develop the skill to also sing and vocalise with a more relaxed larynx posture. If the pharyngeal exercises don't have the desired effect, as an alternative strategy, you should try a combination of low larynx exercises and edgy sounds.
This will relax the singer's vocal production while the edgy sounds help to connect to more chest voice and feeling. In particular, you want to monitor tension in the tongue, the jaw, or the neck musculature and address it accordingly.
Please also be aware that vowels in rock songs, especially in the hook lines, are usually pretty open. Acoustically, this is necessary in order to produce the sound and intensity associated with the genre. So even though more closed vowels may help you to encourage thinning out a too-thick and chest-dominated coordination, keep in mind that you will ultimately have to go back Femnas - Corin Curschellas - Valdun - Voices Of Rumantsch (CD) more open vowels.
Therefore, you should start to challenge the singer with open vowels as soon as possible. See if they can keep the more balanced vocal production as you put them on more and more open vowels. Be prepared for some back and forth between different vowel shapes. For this purpose, it is helpful to consider that adding a slightly pharyngeal character to the voice can make it easier to open the vowels and still have relatively thin vocal folds.
As the singer starts to master the more open vowels that way, you should try to gradually reduce the pharyngeal character.
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