In particular, a disco remix of the track " Baby I'm Burnin' " peaked at number 15 on the Billboard Dance Club Songs chart; ultimately becoming one of the years biggest club hits.
The rich orchestral accompaniment that became identified with the disco era conjured up the memories of the big band era—which brought out several artists that recorded and disco-ized some big band arrangements, including Perry Comowho re-recorded his song " Temptation ", inas well as Ethel Mermanwho released an album of disco songs entitled The Ethel Merman Disco Album in Easy listening icon Percy Faithin one of his last recordings, released an album entitled Disco Party and recorded a disco version of his " Theme from A Summer Place " in Classical music was even adapted for disco, notably Swamp Thing - Various - Top Dance 94 (CD) Murphy 's "A Fifth of Beethoven"based on the first movement of Beethoven 's 5th Symphony and "Flight 76"based on Rimsky-Korsakov 's " Flight of the Bumblebee "and Louis Clark 's Hooked On Classics series of albums and singles.
Many original television theme songs of the era also showed a strong disco influence, such as S. Several parodies of the disco style were created. Rick Deesat the time a radio DJ in Memphis, Tennesseerecorded " Disco Duck " and "Dis-Gorilla" ; Frank Zappa parodied the lifestyles of disco dancers in " Disco Boy " on his Zoot Allures album and in " Dancin' Fool " on his Sheik Yerbouti album; "Weird Al" Yankovic 's eponymous debut album includes a disco song called "Gotta Boogie", an extended pun on the similarity of the disco move to the American slang word " booger ".
Comedian Bill Cosby devoted his entire album Disco Bill to disco parodies. InMad Magazine released a flexi-disc titled Mad Disco featuring six full-length parodies of the genre.
By the end of the s, anti-disco sentiment developed among rock music fans and musicians, particularly in the United States. Rock artists such as Rod Stewart and David Bowie who added disco elements to their music were accused of selling out. The punk subculture in the United States and United Kingdom was often hostile to disco,  although in the UK, many early Sex Pistols fans such as the Bromley Contingent and Jordan liked disco, often congregating at nightclubs such as Louise's in Soho and the Sombrero in Kensington.
The track " Love Hangover " by Diana Rossthe house anthem at the former, was cited as a particular favourite by many early UK punks. The film The Great Rock 'n' Roll Swindle and its soundtrack album contained a disco medley of Sex Pistols songs, entitled Black Arabs and credited to a group of the same name. Jello Biafra of the Dead Kennedysin the song "Saturday Night Holocaust", likened disco to the cabaret culture of Weimar -era Germany for its apathy towards government policies and its escapism.
Mark Mothersbaugh of Devo said that disco was "like a beautiful woman with a great body and no brains", and a product of political apathy of that era. Anti-disco sentiment was expressed in some television shows and films. In one scene of the comedy film Airplane!
July 12,became known as "the day disco died" because of the Disco Demolition Nightan anti-disco demonstration in a baseball double-header at Comiskey Park in Chicago. As the second game was about to begin, the raucous crowd stormed onto the field and proceeded by setting firestearing out seats and pieces of turf, and other damage.
The Chicago Police Department made numerous arrests, and the extensive damage to the field forced the White Sox to forfeit the second game to the Detroit Tigerswho had won the first game. Disco's decline in popularity after Disco Demolition Night was rapid. On July 21,the top six records on the U. Dahl stated in a interview that disco was "probably on its way out [at the time]. But I think it [Disco Demolition Night] hastened its demise".
The anti-disco movement, combined with other societal and radio industry factors, changed the face of pop radio in the years following Disco Demolition Night. Starting in the s, country music began a slow rise in American main pop charts. Emblematic of country music's rise to mainstream popularity was the commercially successful movie Urban Cowboy.
The continued popularity of power pop and the revival of oldies in the late s was also related to disco's decline; the film Grease was emblematic of this trend. Coincidentally, the star of both films was John Travoltawho in had starred in Saturday Night Feverwhich remains one of the most iconic disco films of the era.
During this period of decline in disco's popularity, several record companies folded, were reorganized, or were sold. Midsong International Records ceased operations in Salsoul Records continues to exist in the s, but primarily is used as a reissue brand. Many groups that were popular during the disco period subsequently struggled to maintain their success—even those that tried to adapt to evolving musical tastes.
The Bee Geesfor instance, had only one top entry 's " One " and three more top songs despite recording and releasing far more than that and completely abandoning disco in their s and s songs in the United States after the s, even though numerous songs they wrote and had other artists perform were successful. Of the handful of groups not taken down by disco's fall from favor, Kool and the GangDonna Summerthe Jacksons —and Michael Jackson in particular—stand out: In spite of having helped define the disco sound early on,  they continued to make popular and danceable, if more refined, songs for yet another generation of music fans in the s and beyond.
Six months prior to the chaotic event in Decemberpopular progressive rock radio station WDAI WLS-FM had suddenly switched to an all-disco format, disenfranchising thousands of Chicago rock fans and leaving Dahl unemployed. The latter also helped bring the Chicago house genre to the airwaves. Factors that have been cited as leading to the decline of disco in the United States include economic and political changes at the end of the s, as well as burnout from the hedonistic lifestyles led by participants.
In Januaryrock critic Robert Christgau argued that homophobiaand most likely racismwere reasons behind the movement,  a conclusion seconded by John Rockwell. Craig Werner wrote: "The Anti-disco movement represented an unholy alliance of funkateers and feministsprogressives and puritansrockers and reactionaries.
Nonetheless, the attacks on disco gave respectable voice to the ugliest kinds of unacknowledged racism, sexism and homophobia. We were going, 'fuck the blues, fuck the black experience'. Steve Dahlwho had spearheaded Disco Demolition Night, denied any racist or homophobic undertones to the promotion, saying, "It's really easy to look at it historically, from this perspective, and attach all those things to it.
But we weren't thinking like that. Inthe music industry in the United States underwent its worst slump in decades, and disco, despite its mass popularity, was blamed. The producer-oriented sound was having difficulty mixing well with the industry's artist-oriented marketing system. Disco, despite its pitfalls, was instrumental in the development of electronic dance music genres like housetechnoeurodance.
During the first years of the s, the traditional disco sound characterized by complex arrangements performed by large ensembles of studio session musicians including a horn section and an orchestral string section began to be phased out, and faster tempos and synthesized effects, accompanied by guitar and simplified backgrounds, moved dance music toward electronic and pop genres, starting with hi-NRG.
Despite its decline in popularity, so-called club music and European-style disco much remained "relatively" successful in the early s, with songs like Irene Cara 's " Flashdance House music displayed a strong disco influence, which is why house music, regarding its enormous success in shaping electronic dance music and contemporary club culture, is often described being "disco's revenge.
While house displayed several characteristics similar to disco music, it was more electronic and minimalist,  and the repetitive rhythm of house was more important than the song itself. As well, house did not use the lush string sections that were a key part of the disco sound.
The rising popularity of disco came in tandem with developments in the role of the DJ. DJing developed from the use of multiple record turntables and DJ mixers to create a continuous, seamless mix of songs, with one song transitioning to another with no break in the music to interrupt the dancing.
The resulting DJ mix differed from previous forms of dance music in the s, which were oriented towards live performances by musicians. This in turn affected the arrangement of dance music, since songs in the disco era typically contained beginnings and endings marked by a simple beat or riff that could be easily used to transition to a new song.
The development of DJing was also influenced by new turntablism techniques, such as beatmatching and scratchinga process facilitated by the introduction of new turntable technologies such as the Technics SL MK 2first sold inwhich had a precise variable pitch control and a direct drive motor.
DJs were often avid record collectors, who would hunt through used record stores for obscure soul records and vintage funk recordings. DJs helped to introduce rare records and new artists to club audiences.
Levan, for example, developed a cult following among club-goers, who referred to his DJ sets as " Saturday Mass ". Some DJs would use reel-to-reel tape recorders to make remixes and tape edits of songs.
Some DJs who were making remixes made the transition from the DJ booth to becoming a record producer, notably Burgess. Scott developed several innovations. He was the first disco DJ to use three turntables as sound sources, the first to simultaneously play two beat matched records, the first user of electronic effects units in his mixes and an innovator in mixing dialogue in from well-known movies into his mixes, typically over a percussion break.
Grasso is particularly notable for taking the DJ "profession out of servitude and [making] the DJ the musical head chef". Instead, with increased agency and visibility, the DJ was now able to use his own technical and creative skills to whip up a nightly special of innovative mixes, refining his personal sound and aesthetic, and building his own reputation.
Known as the first DJ to create a take his audience on a narrative, musical journey, Grasso discovered that music could effectively shift the energy of the crowd, and even more, that he had all this power at his fingertips. Drawing from a diverse range of non-disco influences and techniques, such as the " one-man band " style of Kashif and Stevie Wonder and alternative approaches of Parliament-Funkadelicit was driven by synthesizers, keyboardsand drum machines.
Post-disco acts include D. Post-disco had an important influence on dance-pop and was bridging classical disco and later forms of electronic dance music. The disco sound had a strong influence on early hip hop.
Most of the early hip hop songs were created by isolating existing disco bass-guitar lines and dubbing over them with MC rhymes. The Sugarhill Gang used Chic's " Good Times " as the foundation for their song " Rapper's Delight ", generally considered to be the song that first popularized rap music in the United States and around the world.
House music is a genre of electronic dance music that originated in Chicago in the early s also see: Chicago house. It quickly spread to other American cities such as Detroit, where it developed into the harder and more industrial technoNew York City also see: garage house and Newark — all of which developed their own regional scenes.
In the mid- to late s, house music became popular in Europe as well as major cities in South America, and Australia. Since the early to mids, house music has been infused in mainstream pop and dance music worldwide. House music in the s, while keeping several of these core elements, notably the prominent kick drum on every beat, varies widely in style and influence, ranging from the soulful and atmospheric deep house to the more aggressive acid house or the minimalist microhouse.
House music has also fused with several other genres creating fusion subgenres,  such as euro housetech houseelectro house and jump house. In the late s and early s, rave culture began to emerge from the house and acid house scene.
Although disco culture started out underground, it eventually thrived in the mainstream by Swamp Thing - Various - Top Dance 94 (CD) late s, and major labels commodified and packaged the music for mass consumption. In contrast, the rave culture started out underground and stayed mostly underground. In part, this was to avoid the animosity that was still surrounding disco and dance music. The rave scene also stayed underground to avoid law enforcement attention that was directed at the rave culture due to its use of secret, unauthorized warehouses for some dance events and its association with illegal club drugs like ecstasy.
The post-punk movement that originated in the late s both supported punk rock 's rule breaking while rejecting its move back to raw rock music.
No wave was a subgenre of post-punk centered in New York City. Nu-disco is a 21st-century dance music genre associated with the renewed interest in s and early s disco,  mids Italo disco, and the synthesizer-heavy Euro disco aesthetics.
It is also used to describe the music on several American labels that were previously associated with the genres electroclash and French house. In the s, after a decade of backlash, disco and its legacy became more accepted by pop music artists and listeners alike, as more songs, films, and compilations were released that referenced disco. This was part of a wave of s nostalgia that was taking place in popular culture at the time. In the early s, an updated genre of disco called "nu-disco" began breaking into the mainstream.
The song's disco influence, which appears on Know Your Enemywas described as being "much-discussed". A Man After Midnight ". In addition to her disco-influenced attire to award shows and interviews, her Confessions Tour also incorporated various elements of the s, such as disco balls, a mirrored stage design, and the roller derby.
The video of the song was filmed on a skating rink and features a line dance of hands. The success of the "nu-disco" revival of the early s was described by music critic Tom Ewing as more interpersonal than the pop music of the s: "The revival of disco within pop put a spotlight on something that had gone missing over the 90s: a sense of music not just for dancing, but for dancing with someone.
Disco was a music of mutual attraction: cruising, flirtation, negotiation. Its dancefloor is a space for immediate pleasure, but also for promises kept and otherwise. Swamp Thing - Various - Top Dance 94 (CD) a place where things start, but their resolution, let alone their meaning, is never clear. All of s great disco number ones explore how to play this hand. Madison Avenue look to impose their will upon it, to set terms and roles. Spiller is less rigid.
Inseveral s-style disco and funk songs charted, and the pop charts had more dance songs than at any other point since the late s. In addition, Arcade Fire 's Reflektor featured strong disco elements. In Brazilian Globo TVthe second biggest television network in the world, aired Boogie Oogiea telenovela about the Disco Era that takes place between andfrom the hit fever to the decadence.
Indisco songs or disco-styled pop songs are showing a strong presence on the music charts as a possible backlash to the s-styled synthpop, electro house, and dubstep that have been dominating the current charts. Justin Timberlake's song " Can't Stop the Feeling! The Martiana film, extensively uses disco music as a soundtrack, although for the main character, astronaut Mark Watney, there's only one thing worse than being stranded on Mars: it's being stranded on Mars with nothing but disco music.
Indisco was revived in mainstream popularity and has become one of the main trends in popular music. There is also a new boss, Kerozene, to fight. In both games, all the mini-games must be won each time they're encountered and the scrapbook must be completely filled in order to achieve the highest completion percentage.
In the port of 2there is an additional mini-game at Klubba's Kiosk called Bag a Bug, but playing it is completely optional. There is no scrapbook feature this time around. All of Funky's challenges must be completed to achieve the highest percentage, but Cranky and Swanky's games need only to be won once. The game also adds a new boss, Kroctopus, and a new area, Pacifica, containing six additional levels. The Land games translated the pre-rendered graphics of its sister series as well as it could to the Game Boy's small, monochrome screen and usually featured new levels.
Then Rare got bought out by Microsoft, demolishing any remaining hope that the contract might be renewed. From Wikipedia, the free encyclopedia. Overview of the events of in music. The examples and perspective in this article may not represent a worldwide view of the subject.
You may improve this articlediscuss the issue on the talk pageor create a new articleas appropriate. December Learn how and when to remove this template message. See also: Category albums. This section contains information of unclear or questionable importance or relevance to the article's subject matter.
Please help improve this section by clarifying or removing indiscriminate details. If importance cannot be established, the section is likely to be moved to another article, pseudo-redirectedor removed. Main article: in jazz. Retrieved July 23, Retrieved August 31, May 13, Archived from the original on April 28, Little, Brown and Company. ISBN Archived from the original on 29 November Retrieved 17 August Mexico and the United States. New York: Marshall Cavendish. Somebody to Love?
A Rock-and-Roll Memoir. Edwards, director Cecilia Miniucchi, writer John Lannert Selena Remembered. Event occurs at Entertainment Weekly. Retrieved January 26, Archived from the original on February 20, Retrieved December 30, Retrieved July 15, August 9, Washington Post. Seattle Times. Retrieved June 2, The Guardian 10 August : T4. Rolling Stone. Straight Arrow Publishers, Inc. November 3, January 26, Archived from the original on November 18, Retrieved February 7, Warp Records. Retrieved August 17, Retrieved December 31, Retrieved March 17, The Times of India.
August 19, Retrieved July 2, Box Office India. Archived from the original on June 30, Retrieved April 28, Historical Dictionary of Scandinavian Cinema. Scarecrow Press. Rool kidnaps Donkey Kong and takes him to the Kremlings' homeland, Crocodile Isle, forcing Diddy Kong and his girlfriend Dixie Kong to travel into enemy territory and rescue their friend.
Donkey Kong 64frombrought the series onto the third dimension. In it, King K. Rool returns with a vengeance. Figuring that if he and his people can't have Donkey Kong's island, nobody can, he steers an enormous high-tech warship next to it and plans to blast it right off the face of the Earth with his secret weapon, the Blast-O-Matic.
This game unites a team of Kongs Donkey, Diddy, Dixie's sister Tiny, Kiddy's brother Chunky, and odd-man-out Lanky, while other familiar faces such as Cranky and Funky lend a hand along the way who set out to find a series of solid-gold giant bananas and the missing blueprints to the Blast-O-Matic in an effort to trounce the Kremlings for the final time.
Also of note is that during the first game's heyday, the Blockbuster World Video Game Championships II were given an authorized romhack of the game called Donkey Kong Country Competition Cartridgewhich basically turned the game into a competition to grab as many bananas as possible within a time limit of five minutes, with only a few levels available and several tweaks to encourage scoring.
After the competition ended, Nintendo took back the carts and sold them to subscribers of Nintendo Power. Maybe it's a British thing. Second, no Robert Johnson or Hank Williams?
I'm betting this is because the list seems to ban compilation albums and Johnson and Williams recorded exclusively as singles artists. But it just seems wrong to claim that the best all time records don't include Hank Williams or Robert Johnson.
Third, where are the great British folkies? Still, why no Richard Thompson? Fourth, the list seems to ignore most of the world maybe there's a rule saying English language only.
But you can't have a list of the best of all time with no Nusrat Fateh Ali Khan and not a single album from Brazil. Evolution: gyazo. The confines of the building would not trap her long, however, frame Swamp Thing - Various - Top Dance 94 (CD) again bound to the city. It held the answer to so many of her needs, she could never resist it long. Heels, so rarely used, clicked loudly upon the concrete as she advanced upon it, catching sight of a frame in distance.
Leaned against steed of metal, the raven haired's features would halt her in her advance, furrow of brows marked in concentration as she tried to recall. Memories stumbled about before she extracted location one had been met. Ever since leaving the cages of HPD, the Demon had returned to her home. The swamp had a particular allure to the Demon.
Home she made, it soothed her possessiveness to know all in it belonged to her but, more importantly, the wide open spaces and the freedom found in it was closer to her nature than any of the man made cages.
Few, close to none, had ever witnessed the Demon in her natural habitat. The pure elation she took from simply wandering her land, sinking knees into mud, visiting the decaying companions she maintained up, her land. Embrace of water, soil and decomposition truly revived her senses, having her ready to return to her mission. Some had drinks with friends to recharge their battery, Demon commuted with her land of decay. Also, often enough, did drugs while in her state.
Was it ever a wonder then that, when finally fickle mind decided to return to city, she found herself in most unusual of attire and state? Today was no exception. Treasures so precious had been carefully selected from her pilfered clothes, many stolen from the once raided theater and its wardrobes. Aroma of her usual stench, the crown fabricated in barbed wires and branch swayed with each of her careful steps. Soot and blood adorned flesh visible, some of it prickling from the very crown worn.
Advancing closer, intensity of gaze. Foul smelling Demon drawing nearer, steps would halt, mismatched gaze fixed as hoarse voice would call "Have ya come to find da Demons? It had been told, after all, of the importance of being strong within the cages.
He was sure he was free since getting out of jail and leaving the MC, but things for him were spiraling out of control. He had no direction anymore and he was unable to suppress his inner beast as he did when he had the ones closest to him. Without a leash he had already decimated the innocence of a pure girl, and even marked her physically and mentally for life.
Ram was thinking about all of this and it made him sick. It ook a moment but a familiar scent wafted to his nostrils, carried by the breeze. He'd cringe slightly as his silvers lifted from behind his glasses seeing the girl he met in jail.
The girl who quite literally scared the ever living life out of him. He was very appreciative that she gave him food, but was still nervous around her. He would then take a deep breath as she made her way up to him as he sat there.
He'd take another drag and blow it out. At least she wasn't covered in. I didn't even know any demons were here He remembered her comrades from jail and was a bit cautious that there were others around.
I'd say I've been keeping my strength up Added weight upon scalp, aside from being precious treasure to adorn her frame, brought with it pain as the thorns and barbed wires dug into her skin. Agony was always something that helped the Demon remain anchored in present, keeping her fickle mind from visions. Greed gathered all sort of things, be they material or immaterial, giving them the same value.
There were a tenseness in the way one behaved, alike a coiled animal, uncertain of which way to bolt. A pattern the Demon had often witnessed when hunting upon her land. In such a state, they should be approached with care for, cornered animal often reacted strongly.
Something she had long learned applied to humans too. Appraisal of such a thing would be done in silence, only but a shiver moving over digits now and again, peepers traveling over frame. The scent of the tobacco filled her nostrils with every inhales, mixing in with the salt charged wind that picked at her greasy locks of mane. Eyes of the man were hidden behind lenses, something that Greed detested, having her fix the mirrors of it before ravaged lips parted "Family and Demons make der Home der.
Ya might meet many Family came and went around the corner of city. The rest of his words would have her incline her head slightly before she rasped out, hoarse tone carrying queries "Ya didn't come to find da Demons but ya be looking for somet'ing" she states, the words holding the certainty she always gave to her beliefs. Fixing mismatched gaze on features, steps drew her closer as she spoke in hoarse whispers "Der be somet'ing A tenseness she associated with her usual beliefs of all having Demons within themselves that too many keep trapped.
She seemed like someone from supernatural movie that crawled right out of the screen and into the real world. As his cigar was low he'd drop it to the ground and stomp it out. Narrowing his eyes at the woman he'd lift himself to his feet and pull off his sunglasses letting his silver orbs rest on the woman clearly. He had been restraining something and only two people have seen that beast inside him. Was she spying on him? Ram was becoming even more cautious now, his hand would fall to rest on his knife but he neither unsnapped it's restraints nor gave any sign that he was going to pull it out.
Same soles anchoring themselves to concrete and pulling the man to full height of frame. Drop of hand would be noticed, a gesture long seen. A sign for many. The gesture coming with not pull of the blade, however, would have her focus return to the words spoken. Heels so rarely worn offered at least on advantage, when perched upon them, mismatched gaze were able to better sight features and gaze revealed at the lift of glasses.
Diving into the silver pools, the Demon listening in attentively to words, pairing them to reaction, letting them tell her of the truth of own words. The sentiment would bring elation, ravaged lips slowly pulling into grin, revealing the rows of rotten enamel beneath.
Soot and blood painted features in proximity, putrid breath would whisper "I watc' and see all in city" murmurs holding true beliefs to them as Sisters and her held the disillusions the decaying eye they took from the. Emerald and Gold of her eyes latched upon the Silvers of one's own, fixing them with devouring interest as she murmured "Wat be it dat has ya caging it?
He didn't get a chance to do this upon first meeting in the cells as her appearance and her scent drove him from even locking eyes with her. But now he was paranoid.
The fact she knew he had something inside he hated made him suspicious. His fingers would curl around the handle of his blade but still he wouldn't draw it. As time progressed he was eyeing her face and all the markings on it. He would take note of her teeth and the rotting smell emanating from her. Ram was already planning what he could do to silence the girl Sighing he shut his eyes for a moment and shook his head before opening them again. Not something that normal folks should see Violence that so often rocked her with needs was a call she understood all too well.
Pupils would, for a few seconds, drown irises in black as the sensation acted upon her almost like a drug. Raggedly breathing, she took in the emotion with a violent passing of elation before her focus fully returned to words being spoken.
She could see him slowly taking on her frame, her face, the marks of violence and wars that made Greed who she were and yet His face softened, words spoken next stating of the restraints he needed to display. The knowledge that anyone who restrain themselves for her could only but conjure the loud sound of mirth, the rough texture of laugh cascading past maw. Emotion so sincere had the oddity upon head sway dangerously as she seemed to be truly gripped by the expression of glee.
After a few seconds had passed, some semblance of a breath would be caught, making for raspy and. Soot covered and scars marked, one of her hand would attempt to lift to man's shoulder, coming Swamp Thing - Various - Top Dance 94 (CD) rest upon it if allowed as she would draw her face closer.
It would be to his ear, however, that she would try and lean to whisper "Wat does yer Demon need? Mine always wants more. It wakes me in the morning wit blood on mah hands and it wants me to seek more of it. It has me delirious wit pleasure when I split flesh open and reveal wat be beneat'. It demands for me to take all I desire, all dat time. And it never grows tired. It always wants more and more and more and more I give it all it desires.
All I desire. I keep it strong His hand on his knife would begin shaking as he was fighting the urge to pull it out and stab the woman. As her raspy voice whispered into his ear he took in every word. He had heard the women address each other in the cells but it never clicked then until now. His hand would stop shaking and he lowered his silvers looking down at her face. He had already taken in the markings and rotting teeth and the scent but strangely enough he wasn't bothered by it.
He wouldn't normally open up to anyone but he felt this woman understood. It wants to rape and torture them Goosebumps would rise from his skin as he spoke openly about the thing he was keeping at bay. Beneath her palm she could feel the form losing some of its shudders and tenseness as, finally, the words poured free. Spoken without restraints.
Confessing of his sins. And Greed collected all of them, possessively, seeming enthralled by ever new deviance revealed, breathing pushing past cracked and broken lips. An incline of her head would be made as he described all of needs, the movements having crown of thorns dig deeper into scalp, conjuring a flesh trail of crimson to slowly follow the counter of her brow, glide upon her cheek, take the curve of jaw and drown in mess of moss mane.
The reaction his body had to the description of his needs would not be noticed, having Greed's lips pull in a sliver of grin before she would lift hand from shoulder. The callused texture of palm would attempt to cradled the stubble covered jaw, cradling it as she have name to the Sin "Wrat' Instead praising the sin identified and hidden within.
After few moments of silence, murmurs arose again "It be too beautiful a Demon to be kept caged. Why do Swamp Thing - Various - Top Dance 94 (CD) do it? The query would linger between two, gaze burning in intensity as she observed the silver pools, diving in their depths. Her smile put him off his game this was for sure. He had no idea why he was being so open with the woman. It wasn't until she said wrath that he shook his head. He would be there during it's actions but it always felt like he was sitting in a theatre watching a movie.
He turned his head completely as she asked why he'd keep it restrained and would take a slight step back removing his hand from his knife. I can't let something like that run wild I know many women If it was free I'm sure they would be in danger I can't let that happen It is being fed. Violence and dominance and pain. It be wat it desires" the Demon keeping words of entity as separate for now, same as one had. Funnily enough, with beliefs of cult and freeing so many, Greed had soon acquired skills that therapist and shrinks might have too.
It were felt that the man was not ready yet to acknowledge the truth. The Demon was not another being separated from him. He was the Demon. Seeing distance being made between frames and the words spoken next, brows would furrow and, it would be at that part of the discourse that shrinks and the Demon parted ways.
For one would offer drugs to dull the needs and techniques of restraints. That were not the gospel Greed preached. Instead rasps of her voice arose once more. Perhaps not today but something certain to linger. As if Greed truly had seen it.
What he had done. Truth were, she had heard so many speak of it. Of how they combat the needs. Hold it back and It takes over. It devours ya. Ya put ones ya wish to protect even in bigger danger Speaking truth of words and yet Her tone betrayed there were something. Something more she wasn't telling him yet. Giving a sigh he nodded. She made sense, as much he hated to admit it she made way more sense than the VA doctors and psychologists did when getting him to talk. It made sense He was silent for a long moment before finally speaking out.
I have medication but I don't wanna take them I wanna know how to deal with this The acknowledgment of help needed were a sign in itself. Of one accepting. Of Gospel taking roots. Following the frame as it settled back upon the bike, Greed would turn to face him, vibrant intensity in gaze fixed on the locks slanted Silvers. Devour ya. Den ya gotta learn to devour wit it. To give it wat it needs. Keep it sated. Find ones dat are not close to ya. Dat do not matter to ya and use dem for its needs.
Give yer Demon wat it desires, keeping it well fed. Awaiting to see with curiosity what reactions would be gained from words. Demon always knew two kind: ones that accepted the truth and ones that fought it and what they were.
He lifted himself from the bike again and sighed. He would then close his eyes for long moments as he thought quietly to himself. He still kept his eyes shut as he spoke. Hid right hand would then pull his knife from it's sheath and would raise the blade letting her see the dried dark blood on the blade. Full of dreams Looking up to the sky he would lick his lips before returning his gaze back to Esmeralda.
I want to show these little bitches their place I want to them to know that they were born for a specific reason He was biting so hard now that blood was forming around his teeth. His hand with the knife would raise and he'd press his wrist to his eyes then groan shaking his head. It had been unexpected but Esmeralda was not speaking to Ram at that point. How last his Demon had been freed.
What it had been fed. Seeing how it animated him. The powers the memories had upon him. The fierceness of the statements and, finally, the blood to be drawn as silence captured him. If one expected a saving grace, a helping hand out of the path of insanity, then one had come to the wrong person.
No, there were no disgust or rebuttal at the words. Instead Demon listened in rapt attention, features a mast of avid interest. Ravenous elation. Lips parting in slight and ragged breathing, gaze zeroed upon the blade and crimson displayed, letting the visions of it all take over.
Lust were usually a dormant Demon for Greed for it awakened solely upon specifics demands: violence and dominance she forced upon others. So tale made called to many of her Demons, having her frame shivering slightly, digits barely contained at side. She wanted to reach for own weapons. Own needs. For, while the sentiments rocked her frame and played high with emotions, control did not sleep.
Demon kept herself and needs well sated. Instead, gradually, her whispers would arise, breathy, a sign of the sensations that ran through her "It has to be fed" she whispers with a finality that bored no arguments "It has to be given wat it needs and between one of yer own or a stranger
Religious Cancer - Nailbomb - Point Blank / Proud To Commit Commercial Suicide (CD), Childs Anthem - Toto - Toto (CD, Album), Species - Wez Wonder - Species / Global Killer (Vinyl), Wrathchild, II - Grudom - De Tavse Kvad (CD, Album), Love Makes You Crazy - Mike Batt - Love Makes You Crazy (Vinyl), Ne Zovi Me Više - Trio Lutajuća Srca* - Lutajuća Srca (Cassette), Pauvre Guerre - Various - LUsine A Bruits Volume 1 (CDr), Never Again - Giovanni* - Promises (CD), When A Man Loves A Woman - Richard Clayderman - Les Musiques De LAmour (CD, Album)