Unsourced material may be challenged and removed. See also: Category albums. See also: Category operas. Main article: in jazz. Indie hits, — the complete U. London: Cherry Red. ISBN OCLC Anchorage Daily News. Retrieved October 18, Ottawa Citizen. November 25, The Telegraph. Miami Herald.

Associated Press. February 26, Retrieved January 4, ISSN Retrieved January 16, Wilson Company. John Willis' Screen World, Crown Publishing Group. Kinkle Windmill Publications.

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Wikimedia Commons. United Kingdom Norway. List of albums released. List of years in music. Love Stinks. No Place to Run. The Return of the Durutti Column. Rockin' into the Night. Short Stories. Sit Down and Talk to Me. Boys Don't Cry. Bebe le Strange.

Bad Luck Streak in Dancing School. But the Little Girls Understand. Get Happy!! Malice in Wonderland. Orchestral Manoeuvres in the Dark. Sheep Farming in Barnet. Too Much Pressure. Against the Wind. Desperate Bicycles. After Dark. Mad Love. That's What You Get Babe. Roberta Flack Featuring Donny Hathaway.

Roberta Flack and Donny Hathaway. Coal Miner's Daughter. Nobody's Heroes. The Psychedelic Furs. Your money is safe. Even if we fail to satisfy your expectations, you can always request a refund and get your money back. What happens on our website stays on our website. We provide you with a sample paper on the topic you need, and this kind of academic assistance is perfectly legitimate. We check every paper with our plagiarism-detection software, so you get a unique paper written for your particular purposes.

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You can test our services by ordering a short assignment or discussion and seeing how well we deliver. Apart from high-quality writing services, we offer:. She also appeared in the film for a few seconds in the Halloween scene, where she is wearing a zombie mask and carrying a poodle. She received her first Academy Award nomination as Best Actress for the huge hit, An Officer and a Gentlemanwhere her on-screen love scenes with Richard Gere became just as legendary as her off-screen fights with him and with director Taylor Hackford.

Debra's reputation as a great talent, as well as her reputation as a difficult actress grew with her next film, Terms of Endearmentwhich not only earned her a second Oscar nomination as Best Actress but also won the Best Picture as well.

Debra was at the top of her game and was the most sought-after actress in Hollywood, but she turned down quality roles and lucrative offers for three years.

Some speculated that the reason was her romantic involvement with Bob Kerrey, then-governor of Nebraska, while others have stated it was her back problems. Whatever her reasons were, her career lost its heat. Her long-delayed film Mike's Murderreuniting her with her "Urban Cowboy" director James Bridges, didn't help matters either when it became a critical and financial flop. Debra tried to revive her career by starring in the big-budget comedy Legal Eaglesbut she disliked the film so much that she publicly stated that the director, Ivan Reitman, was one of the two worst directors she worked with, the other director being Taylor Hackford An Officer and a Gentleman She also walked out on her agency, CAA, but returned several years later.

Her personal life made headlines when she left Bob Kerrey and eloped with Oscar-winning actor Timothy Hutton in Inshe gave birth to their son, Noah Hutton. She also starred in Black Widowwhich wasn't a hit, and acted alongside Hutton as a male angel in Made in Heaven which flopped.

She followed that up by starring in another flop, Betrayedwhich featured a fleeting cameo by Hutton. She separated from Hutton in and they divorced inat which time she had two more bombs, Everybody Wins and The Sheltering Sky However, she relished the experience on The Sheltering Sky so much that she stayed in the Sahara desert long after filming wrapped.

But, she found love on the set of her next film, Wilder Napalm when she co-starred opposite Arliss Howard, who became her next husband. The film flopped but their marriage lasted. She received good notices for A Dangerous Womanbut it was Shadowlands which finally brought her renewed respectability and her third Academy Award nomination as Best Actress.

She followed that up with a forgettable comedy, Forget Paris Then, she signed to do "Divine Rapture" with Marlon Brando and Johnny Depp in a small village in Ireland, but two weeks into filming, financing fell apart, and the film was never completed.

Winger was never paid for her work, and neither were the poor villagers, and Winger said she was devastated for them. Now 40, Debra felt that there were no good roles for her and she concentrated on motherhood by having a second son, Babe Howard, in Her six-year absence from films inspired a documentary by Rosanna Arquette titled Searching for Debra Wingerwhich is about sexism and ageism in Hollywood.

Inshe returned to acting in her husband's film, Big Bad Lovewhich she also co-produced. It renewed her love for acting, and she has ventured out into television as well by earning her first Emmy nomination as Best Actress for Dawn Annadirected by her husband.

Inshe wrote a well-written book, based on her personal recollections, titled "Undiscovered". However, it wasn't enough to reignite her feature film career, so she ventured towards television in with a guest-starring role on "Law and Order", to a seven-episode stint on "In Treatment", to a two-part miniseries The Red Tent into a regular role on The Ranch in Her television exposure reignited her feature film career, and she was cast in her first romantic lead in 22 years in The Lovers And she had also mellowed with age, presenting an award to Richard Gere in and saying kind things about director Taylor Hackford inafter having fought with both of them during An Officer and a Gentleman Nobody can deny that Debra Winger is one of the best American actresses ever.

Her fans hope that Hollywood will finally reward her talent with a long-overdue Academy Award. Source: IMDb. Yeah, so like I've been away from Flickr for like forever-ish.

I did sneak back a couple of times to put pics in the middle of my photostream, and whenever I can I stop by my friends' photos to check up on them, but I like totally stopped posting new pics, 'cause, like, seriously, I've been toooooo busy with stuff to take new pics! It's a shame, as I have like an awesome apartment, and it is just so made for photo-shoots but I don't get the time to take any sob!! Poor lil' me!!! Like, yeah, right! So, like yeah, I took a load last weekend.

Still in a schoolgirl outfit, 'cause I kinda like the schoolie look. A kinda baggy sweater, a shortish skirt, and white over the knee socks are hardly the things of erotica, but I like how they look.

I kinda think this picture is all about the sorta naughty but nice thanx Linda for that expression! The idea of entertaining a hunky male after school and having a heavy petting session gets me all squirmy inside! I've got nothing to bounce them off of, so just a gentle caress of my ass or a tongue darting in my mouth during a kiss is deeply sensual to me.

Anyway, like, I'm not back of Flickr long term or anything. This is just a stop by to say hi! I'm gonna try and stop by some of my friends' pics tonight, but it's already way late where I'm at amost midnight and I'm all tired and a lil' bit drunk, so I don't know how I'll manage!!! Seu trabalho reflecte a cultura nova-iorquina dos anos Antes de acabar o curso, transfere-se para Nova Iorque, onde seria grandemente influenciado pelos graffitis, inscrevendo-se na School of Visual Arts.

As curator of the Keith Haring retrospective mounted by New York's Whitney Museum of American Art inElisabeth Sussman composed a thoughtful catalogue text in which she tidily divided the artist's career into three "chapters. In the middle phase, lasting from approximately towhen he developed the first symptoms of AIDS, Haring produced paintings that were essentially Pop versions of Neo-Expressionism. In these years he also used his cartoon-like graphic line to execute murals, many of them for and even together with children.

There can be no doubt that the artist's battle with AIDS had a profound effect on his artistic vision. Sussmann's categories are nonetheless too neat and too emphatic, concealing both the humor that frequently enlivens the late works and the dark side that shadows even the earliest, cartoon-like compositions. And the artist was a social activist from the beginning of his career. At a demonstration in Central Park inhe distributed 20, antinuclear posters.

His "Anti-Litterpig" campaign was launched inthe famous Crack is Wack mural painted in The true "horror of AIDS had come to light"3 for Haring inand he had for some time regarded himself as a prime AIDS "candidate" - even before discovering the first Karposi sarcoma on his leg during a trip to Japan in Not only numerous intimate acquaintances, including his ex-lover Juan Dubose, had already succumbed to the disease.

Rumors of Haring's own infection were rife long before he himself learned that he was HIV-positive. More than a year before the diagnosis, Newsweek had tracked the artist down in Europe to ask if his protracted stay there was a cover-up for his affliction with AIDS. Yet for all the traumatic implications of the onset of the disease itself, it is a mistake to overemphasize the event as a kind of watershed, as a moment in which the oeuvre itself underwent some seismic change.

Such an oversimplification is tempting but ultimately misleading. And it is not unlike that simplistic approach to the work of Andy Warhol which suggests a fundamental shift in theme and point of view following the assassination attempt by Valerie Solanis. In fact, Warhol's own fascination with "Death and Disaster" was well established before the deranged feminist entered the Factory in with revolver blazing.

And it was soon followed by garishly tinted studies of suicides, car crashes, race riots and electric chairs. Keith Haring, too, had explored a darker side of experience long before the dread diagnosis.

The earliest works produced in his characteristic graphic style include serpents and monsters, nuclear radiation and falling angels, cannibals, omnivorous worms, bloody daggers and skeletons. The devil himself makes occasional appearances, as does the multi-headed beast of the Apocalypse. One can make out a sinister form that may well represent a virus, and an androgynous figure which wheels a sword-like crucifix over the heads of children, while scissors and chains are employed in sadomasochistic practices which often end in castration.

In a Saint Sebastian, produced in and one of the few titled works by Haring, the martyr's body is pierced not by arrows but by airplanes - one of the numerous examples of the artist's critical view of technology, but also testimony to his deeply felt pacifism. The figure of a hanged man, perhaps influenced by William Burroughs' Naked Lunch, makes it debut in So, too, do human figures writhing in the clutch of a nest of serpents.

In a serpent pierces and thereby joins like so many beads on a string a row of human figures with holes in their abdomens. Indeed, human figures with holes gouged in their middles are a recurrent pictogram - one inspired, according to the artist himself, by the assassination of John Lennon in December of Yet even before that event, Haring was sounding the themes of violence and death in the cut-up headlines he posted around New York City, inspired both by his friend Jenny Holzer and by William Burroughs.

When Keith Haring undertook his first cross-country trip in with his girlfriend Susan, he financed the journey by silkscreening T-shirts and selling them along the way. One model showed Richard Nixon sniffing a kilo of marijuana; the other featured the logo of the Grateful Dead: a skull - the penultimate memento mori that also fascinated Warhol - split by a lightning bolt.

One of Haring's early subway drawings includes a skeleton wearing wire-rimmed glasses as an encoded self-portrait. In a diary entry for March 18,the artist reflected on the significance of "Being born in, the first generation of the Space Age, born into a world of television technology and instant gratification, a child of the atomic age.

Raised in American during the sixties and learning about war from Life magazines on Viet Nam. Watching riots on television He was equally aware of the dangers inherent in "peacetime" uses of nuclear energy. The notorious near-meltdown at Three Mile Island in occurred a short distance from the Haring home in Kutztown, Pennsylvania. Spaceships projecting rays onto earthlings often hover over his works, and his famous "radiant" baby may suggest radioactive contamination as well as spiritual glow.

In short, the first "chapter" in Haring's career was neither so innocent nor so giddily affirmative as it is sometimes made out to be. His media-savvy generation, exposed at an early age to "sex, drugs and rock-'n'-roll," was quickly disabused of childhood's illusions. At the age of 19, he confided to his diary, "Through all the shit shines the small ray of hope that lives in the common sense of the few.

The music, dance, theater, and the visual arts: the forms of expression, the arts of hope. This is where I think I fit in. What one witnesses is literally The Marriage of Heaven and Hell, to cite the title of a Roland Petit choreography for the Ballet National de Marseilles, for which Haring created a huge front curtain in Whether Haring was familiar with William Blake's ironic poem of the same title is uncertain, though the English poet was a favorite of the LP) set to which Haring belonged for a time.

Furthermore, there are occasional parallels between Haring's graphic style and the illustrations Blake prepared for his own works. The implications of a linked pair of Blake titles - Songs of Innocence and Songs of Experience - have clear relevance for Haring's oeuvre, as well. The key to Haring's work is not to be found in "chapters" or in oppositions, but precisely in the mingling, the marriage of innocence and experience, good and evil, heaven and hell.

This inherent but essential ambiguity is reinforced by an image he created in June ofless than a year before his death. He was in Paris at the time, executing a monumental painting intended to decorate a dirigible to be flown over the city in commemoration of the th anniversary of the French Revolution. The starting point was a photograph of the artist sitting on a chair from the Vitra Collection, part of a series of celebrity portraits made for the German furniture company.

With a felt pen, Haring fitted himself out with wings, floated a halo over his head, bound his feet with shackles and coiled a rope-like or snakelike form around his torso. In fact, in other works the rope which binds a victim often turns into a snake in the hands of his tormentor.

Haring remarked on his own creation: "Whoever understands this photograph understands what my work is all about. In his journal Haring described the events of June 16th as follows: Friday I had a "press lunch" with the airship people boring and trivial. Then went to Futura's exhibit and bought a nice new painting. Met David Restless And Wild - Accept - Hungry Years (Vinyl there. He came to Paris to interview me for the book Hans Mayer is doing on my sculptures.

Went with David to see the airship painting again and do photos. We talked a lot and by the same time we got to the hotel the conversation got deeper and continually off the "subject. Did some photos for a German spaghetti book. Portrait of me with a drawing made out of spaghetti we ordered from room service. Nice quiet dinner and then returned to hotel with David to talk till 1 The "deeper" talk that quickly veered from the topic of sculpture and continued into the early hours of the morning ultimately found its focus in the fat roll of galley proofs resting on the mantelpiece of Haring's suite at the Ritz Hotel.

This was the interview by David Scheff that would appear in Rolling Stone on August 10th, and in which Haring talked with painful frankness about his own illness. Later in the year, he would march in protest against New York City's "racist" policy with respect to the disease, which allegedly only afflicted perverts, junkies and Afro-Americans. Nonetheless, when the time came to approve Sheff's uncompromising interview, the activist experienced a moment of hesitation.

Quite simply, he feared he might not be permitted to work with children again, and this was one of his most cherished activities. Despite such misgivings, on June 17 he sent his approval of the text to the editors of Rolling Stone, and when it appeared the artist experienced an immense, deeply gratifying wave of sympathy.

The sole sour note was a protest against his having been commissioned by Princess Caroline to execute a mural for the maternity ward of the Princess Grace Hospital in Monaco - allegedly a potential danger for future generations.

In transforming a photographic portrait into a self-portrait with a few brisk strokes, Haring made an emphatic statement about his artistic intentions. At the same time, he revealed the depth of his own religious sentiment. Though not a practicing Christian in the last years of his life, the artist had a profound sense of right and wrong, of good and evil, and he devoted a considerable part of his energy to social causes.

Attending Sunday School and church had been a regular part of the Harings' family life, and in summer Keith attended the camp run by the United Church of Christ. As a teenager he joined the Jesus Saves movement, read the Bible voraciously and developed "an obsession with the concept of the Second Coming Even at the age of 12, according to Haring's mother, "he began making drawings in which there were Jesus symbols and other types of symbols, like a loop with two dots.

Indeed, the artist once complained to his journal that "Most religions are so hopelessly outdated, and suited to fit the particular problems of earlier times, that they have no power to provide liberation and freedom, and no power to give 'meaning' beyond an empty metaphor or moral code. When he finally decided, while dancing at New York's Paradise Garage, to depict the Ten Commandments within the arches of Bordeaux's Musee d'Art Contemporain for his show there inHaring was at a loss to remember all the commandments: "So the minute I get to Bordeaux, I ask for a bible!

Painting an angel along with a mother and child on the coffin of his friend Yves Arman, who died in a car crash, transcended mere decoration to become a ritual act of healing. Haring's fundamental religiosity, on the other hand, was also influenced by his interest in so-called "primitive" cultures, their myths and rituals and totemic objects - interests that inform the artist's pseudo-African masks, for example.

Haring's use of traditional Christian imagery is particularly explicit in Apocalypsehis first collaboration with William Burroughs. Each composition is a reprise on a collaged image taken from advertising, art history or Catholic theology.

In addition to a Christ with a bleeding heart, the series includes an advertisement from the s significantly, the period of Haring's own infancy in which a mother tenderly - and, by implication, Madonna-like - leans over her baby to offer him a milk-bottle.

The explicitly Catholic allusions continue in Haring's next collaboration with Burroughs - the suite of etchings entitled The Valley. Here the imagery includes the torso of a male figure inserting a knife beneath his ribs to duplicate one of Christ's stigmata. This belated "embrace" of Catholic symbology aligns Haring even more closely with other prominent creative rebels: with Robert Mapplethorpe, Andy Warhol and Haring's street-wise friend and sometime-collaborator Madonna.

For those three taboo-breaking artists the Catholic religion offered an especially fertile field for rebellion.

There is a kind of poetic logic in the fact that Haring's collaborations with Burroughs mark the end of his career, since it began with the mock New York Post headlines inspired by the cut-up technique Burroughs employed in Naked Lunch. The artist, furthermore, seems to have felt an intuitive sympathy for a surrealistic juxtaposition of images - partly inspired by his own use of hallucinogenic drugs, but also by his acquaintance with the works of Burroughs and the Beat-generation poets.

A sentence from Burroughs' Soft Machine, published inmight almost describe a composition by Haring: "Carl walked a long row of living penis urns whose penis has absorbed the body with vestigial arms and legs breathing through purple fungoid gills Inthe artist told an interviewer that the author was "very into a lot of the world I've depicted, especially in the recent things - sex, mutations, weird science fiction situations.

Timothy Leary, self-proclaimed guru of the acid age, remarked of the first Haring-Burroughs collaboration, Apocalypse, that it was "like Dante and Titian getting together. On March 20,Haring made the following remark in his journal: "I always knew, since I was young, that I would die young. But I thought it would be fast an accident, not a disease. In fact, a man-made disease like AIDS. Time will tell that I am not scared.

I live everyday as if it were the last. I love life. Yet in the same journal entry which included the vigorous assertion of his love for life, Haring composed the following reaction to the news that the policemen accused of killing Michael Stewart had all been acquitted:. I hope in their next life they are tortured like they tortured him. They should be birds captured early in life, put in cages, purchased by a fat, smelly, ugly lady who keeps them in a small dirty cage up near the ceiling while all day she cooks bloody sausages and the blood spatters their cage and the frying fat burns their matted feathers and they can never escape the horrible fumes of her burnt meat.

One day the cage will fall to the ground and a big fat ugly cat will kick them about, play with them like a toy, and slowly kill them and leave their remains to be accidentally stepped on by the big fat pink lady who can't see her own feet because of her huge sagging tits.

An eye for an eye Like a Bosch-Burroughs vision, the passage indicates the rage Haring could experience when confronted with social and political injustice. For an understanding of the artist's oeuvre as a whole, however, it is important to observe that in the journal entry for a single day, remarks of a tender, Christian-like nature - "I'm sure when I die, I won't really die, because I live in many people,"17 - are followed by fulminations of Old Testament rage.

Yet this dichotomy in no sense represents a contradiction; far more, it is symptomatic of the complexity of the artist's vision. It is an underlying duality which make the early works more than naive cartoons, the late ones more than angry odes to man's mortality.

Fitted out with the wings necessary to ascend into heaven and the shackles drawing him down into the fire and brimstone of hell, Keith Haring demonstrated an astonishingly precocious grasp of the inherent ambiguities of his generation, of his age.

He was the loving, lusting, break-dancing, quintessential American boy, but also an untiring, uncompromising social critic, and he was doomed to die young of a disease that decimated his generation.

I suppose it's some people are sexual but others are not and then of course there are many in between. I'm sure many people get tired or lose interest in sex as they get older and lose self esteem or dare I say it pretend to be pure in mind. As you might have guessed already I am one of the former as it might not be quite like when I was a teenager and had to stop thinking about sex all the time as it might drive on crazy and yes I get lows but but my continuous sexual highs can last many weeks.

But I think having a strong sex drive is a sign of a healthy mind and I'm sure it helps to keep me young which is another good reason for turning myself into Jojo and seeing myself as more of a player. Of course I should keep it to myself but it's nice to share. Last year I decided that I was going to start reading more and I read books.

This year, I wanted to up my game a little bit and do more like a reading marathon and ended up the year reading books, a book for every day. Even though I am a pretty athletic person, I can't run because it hurts my knees. I am not as graceful and elegant as I would need to be for professional dance and sports has never interested me. But reading is the one thing I can do and I like to do at the gym, on planes, in bed, and in the bathtub primarily.

I didn't read to show off but to escape the reality of our current country's political situation and to learn more about the lives and perspectives of others unlike me. I can say that I really enjoyed the vast majority of the books I've read and don't have any significant regrets for this reading marathon.

I should also note that, although some of these books did come out inmany did not. The following are my favorite books of this year that I read this year regardless of their original publication date.

I know I am also probably forgetting some and I feel remiss in that too, but I spent hours writing the following even longer than that reading these and I hope some of you get some good recommendations of books you might also like to read or can connect with me on a book you have read. Feel free to share your favorites as well! I am highly interested in having conversations about books and finding out about literature I may have had less exposure to living in America.

This book is an astounding work that covers so many different states and personal backgrounds to reflect on race in America. If you like Humans of New York, this is a little like that in the sense that it explores what makes us human but it's a great more complex and thorough than that-maybe a Humans of America. The fact that Guo and Vulchi were able to travel all across the US to gain an understanding of so many people and how their race has affected their lives is a daring and meaningful venture in and of itself but it's also clear that they make a concerted effort to explore the things these people like and enjoy so that there's a fuller sense to some things they have in common with others.

In addition, the photographs of these people really add to a sense of them. We must change in our country. We must develop more empathy and patience. We must be able to listen to others who we think we share nothing in common with and find the things we do share whilst respecting individual differences.

This is the only way we will be able to heal and move forward. This is a harrowing read, especially because there is truth in the weight of our names as Americans being tied to the deep sins of mistreating other humans.

This is also, however a very poetic read, haunting in its lyrical quality and in the way that Luiselli is able to adeptly convey the range of emotions she feels, desperate and distraught but also so very insightful. You will read these pages wit your heart in your throat, worry that if you are not careful, you may actually end of swallowing it.

Can Xue is not understood fully by probably most people and I myself had to read several sentences over again a few times, especially this work, the most esoteric of what I've read three novels and one short story collection this year. The imagery is especially potent here and you don't really know exactly what is happening in the way the human form can transform. You really don't know quite what could be actually happening This would be a book I would read at the end of the world cuddled under a blanket and remembering the most imaginative humans could be then hoping there were some creatives still left out in the tundra of the world.

Another new author I discovered was Karen Tei Yamashita and, though I also enjoyed reading a collection of her plays entitled Anime Wong, I even more so enjoyed reading this novel. Yamashita is Japanese American but you get more of that specific perspective from her plays. Set between Japan and Brazil, this novel features a very vivid cast of interesting characters not to mention the protagonist that is the rotating ball in front of the Japanese train conductor's head. This is one of the most unique books I have ever read in Restless And Wild - Accept - Hungry Years (Vinyl life and it's no surprise that the forward is from one of the most highly intelligent authors in the world, Percival Everett.

This novel is a real treat and is a riveting surreal adventure. I've spent many years not knowing very much at all about the lives of those who live in North Korea, much as the citizens of North Korea have spent their lives knowing not too much about others outside of their country.

This non fiction work follows the lives of North Koreans who escape into China and South Korea and manage to be granted refugee status and follows them up until the early s.

It's another book that disarms you in its brutality. Demick records the stories of their lives, how they bought into propaganda, and how they started to gather inklings of the truth while they were in their home country. The depth of the poverty and brainwashing is immense from the time that these people are schoolchildren. Even if they were starving, if someone came by and saw that their picture of Kim Jong-il then Kim Jong-un weren't immaculate, they could be taken and forced into a labor camp.

If they didn't weep loud enough at the death of Kim Jong-il, they were also suspect and no one could trust their neighbors, who could also very likely be government informants. The only media that they had access to was North Korean and Russian propaganda films and even their literature was greatly restricted.

In addition, even having a bowl of rice a day was seen as a great luxury. Many starved to death and were happy to have less mouths to feed in their family. The clothing women could wear was also severely limited. This was and possibly still in many ways is a super suppressed society from the point of view of an American especially. I'd be curious if anything has changed and what but really what honestly struck me is how the government deliberately misled their citizens into thinking that they were producing things they weren't and that the rest of the world was under the same amount of hardship.

This is a government who would rather see their people starve than to stoop to accepting aid from abroad. It's eye opening and terrifying for me to think of the people who have suffered and died under these regimes. There has been a real paucity in literature of valuable and unique human perspectives and this work of nonfiction is an incredibly valuable addition to the canon of literature as a whole and adds to our collective human empathy and understanding of the range of experiences one can have while being alive.

Keah Brown is a woman like none other-honest about the world and her own growth as a human, friend, and twin sister, insightful about the racism and ableism in our current present world and humorous in her observations of pop culture. Keah Brown has a different ability level and many might say she has a disability. I say she has an ability Restless And Wild - Accept - Hungry Years (Vinyl most other people do not possess and may not ever possess.

But, it does mean that we would all be wise to learn from her perspective. One of the most astounding books of fiction I read this year was a book that feels incredibly brave and is loosely based on LP) incidents that happened in the Rodney King riots of LA.

Steph Cha is Korean American but it became widely clear from this novel that she is very invested in promoting healing between the Korean and African American communities.

The novel goes back and forth between and and explores racism with a deep and personal delving that made me literally at times gasp out loud.

This is the kind of wholly relevant novel we can all learn something from even despite it being technically fiction. There are still lots of truths to be found here. If you live in America and are even remotely aware of the racist systems and acts of violence that are committed against those in the African and African American communities, you should be appalled.

The fact of the matter is, most of the time these acts are not even classified as terrorism and yet they are just as damaging and politically motivated. This book explores the heartache and mobilization of the Black Lives Matter movement as well as the police brutality and death and the systems in place that keep white people especially profiting. It is shameful.

There should be reparations. This is a must read for all humans who want to come to a better understanding of what it takes to make a movement and the real human damage to what has occurred in several cities across America where the blood on our hands cannot ever be washed off. Miriam Toews comes from a Mennonite perspective and often her stories focus on Mennonite life with some personal anecdotes seemingly inserted here and there.

This novel feels much different and offers an important aspect of feminism in terms of exploration of the human female mind after the real life events taking place in Bolivia in when these women were raped consistently by men in their Mennonite community and were basically told by these men that these abuses were not happening and that these women were psychologically unsound. Most books of this nature explore the deep wounds of being a victim.

This book offers a different sort of perspective. While still putting a human face to the damage done by men, it focuses more on the action of these women in discussions and meetings to decide how they will solve this problem going forward.

Will they kick out the men? Will they leave completely? If they leave, will they take the children including the male children? At what age does a male stay behind? These are complex and very real questions and all choices are intellectually explored with great discussion. It made me feel the strength and empowerment of women vs. Well worth the read! This is a daunting read. Ellmann clearly was going for a marathon level of stream of consciousness when she wrote this one.

But, there is also the overarching story line of being a mother, a daughter whose mother has passed LP) of Cancer, remarrying after divorce, and oddly enough being a pie baker. I do think this book is worth reading, especially if you can get in the groove and feel the pulse of the first person female protagonist but you do need to obviously put in a huge time and emotional commitment. In order to help things flow more smoothly for you if you decide to take up this challenge as a reader, I suggest reading about pages for 11 days straight or 50 pages a day for 21 days straight.

If you do this, you manage to get into a certain groove by page or so. But, I understand being caught in a state of almost helplessness about what my country has become and what I witness in terms of how people act towards each other. Anyway, a lot of people have abandoned this but it might be the perfect book to add to the next time capsule.

Hopefully, things will get better in the new year. So many of my co-workers went to high school with Gina Rodriguez and always talk about how nice she was to everyone which is literally the opposite of what most people say about you in high school.

I found this autobiography brave, brutally honest, and even at times a little funny but mostly I found this to me about the power of perseverance and not giving up no matter what, not just in the struggle for survival, which was very real for Guerrero, but also in the struggle to do what you love and follow your dreams and actually make it. Guerrero is talented, that is for sure, but she is also a sort of superhero as well in what she has overcome and she has given us all a real gift of letting us glimpse the power of her human spirit.

What makes this book more unique than many immigrant fiction or pseudofiction is the exploration of the human mind and exploration of mental health and illness within the protagonist as well as this family unit. What also makes it worth reading is the sense of a celebration in Nigerian culture vs. There were insights and information in this book that really astounded me, even having lived in this country all my life though, to be fair I have never been to Utah.

I enjoyed all three of these works but I liked The Memory Police by far the best…the concept that you slowly lose the memory of everything around you and hold dear and the including literally parts of yourself-limbs, for instance, and that anyone who still has the ability to remember is not safe but is taken and separated from society at the very least is a really intriguing concept but where the book really succeeds is in its exploration of memories in the sense that they make us human and are truly a part of us.

I really enjoyed the strong sense of mood and contemplation on the nature of existence. This is a mixed sort of book between prose and poetry with some aspects of experimental fiction as well. One cannot help but fall in love a little bit with Guerra as she travels to Mexico, falls in love with an actor, tries to escape persecution from the Cuban government who are constantly monitoring every move she makes, and above all keeps writing as she attempts to discover the truth of the death of her parents as well as gain a sense of her place in the world as a woman, a poet, a human.

Gramps - Modorra - Solar Anus (Vinyl), Bastards (5) / Diseksa - Destroy The Power, Not People (File, MP3), Manolla - Hanka Ordonówna - Śpiewa... (Vinyl, LP), Cashbah Boogie - Federico And The Marrakech Orchestra* - Cashbah Boogie (Vinyl), La Zolfara - Lino Patruno, Franca Mazzola, Nanni Svampa - Un Giorno Dopo LAltro (Vinyl, LP, Album), Plaisir DAmour - Richard Clayderman - The Very Best Of (CD), Freddie Hubbard - Blue Spirits (CD), Venus Hum - Songs For Superheroes (CD), Wonderful - Lianne La Havas - Blood (Vinyl, LP, Album), Cross My Heart - Michael W. Smith - Go West Young Man (CD, Album)

8 thoughts on “Restless And Wild - Accept - Hungry Years (Vinyl, LP)

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